INSOMNIA STREAM： IS IT BASED EDITION - 06/27/2026

00:00:09 Stevel Nut 00 noodle Zidlen think tank Zero tank tank, and got this little god riddle got
00:01:15 this little name to Lucas Gate. Sounds kind of like Mortal Kombat, like you're about to fight Scorpion, yo.
00:01:20 Get over here slap, but you broke formation at the first loud noise, making videos with Jews and dudes that like boys, that's canary statement. I owe my past this a disingo IQ antisemitism.
00:01:31 Bitch, get off your knees. From special ed you hate to liquid orthodox chaps, you're a sell out motherfucker, and we ain't forgatin that. Back when you were Angelo John, you were the King of Meat, headed low IQ antisemitism, dropping lame thoughts, pushing weak wannabe autism. Then your big claim to fame was that, boom, boom, Tel Aviv trash. Only retards from the third world could listen to that.
00:01:52 Boom, boom, you got great by your crypto scan that you promoted. Heavy didn't blow the whistle till you finish pulling out your own money. Now you're out there snitching for gay Mexicans in the tribe, you fake PTSD to live off this ability for life. Legal name changing jersey thought the rebrand would you only to come back make a bunch of noise and become Lucas the Jew.
00:02:10 A Palestine ramps when the Gaza shit popped off, but now every time you see a Jew, you turn your head and call. You said the movements for La Grip, there's an hypocrisy, but you're the biggest example, sitting with the enemy, Marine Vex, simplify, turn simple, lie. You tapped out when real pressure was applied. Name change to Lucas J. What was the goal? You wanna be the main character, play the tough role, like you're about to do a fatality, uppercut the game of finish him. Turn the sorry, I was wrong. Pretty gay, you wanted that fighter image exotic and bold? Now you're trying to be an intellectual with no brain fools. Scorpion Sub Zero. Nah, you're more like Luigi, flipped on the cars when Jews fed you better. Genie, you blame it on Iraq War bitterness. 911 doubt pipeline to the JQ. Now you're selling out. The real ones don't jump to the chase to make a deal.
00:02:59 Real soldiers don't switch sides when shit gets real. You chase your name to Lucas Gay. Sounds kind of like Mortal Kombat, like you're about to fight Scorpion. You'll get over here, slap. But you broke formation at the first loud noise, making videos with Jews and dudes that like noise. It's canary statement. I own my past. This is the Zo IQ antisemitism. Bitch, get off your knees. From special legs, you hate to lay, put off the docs chats. You're a sell-out motherfucker, and we ain't forgetting now. The headlines say former anti-Semite had a change of heart, but we know the game. You were faking from the start, or the pressure got too real, or you were too broke. Got you rethinking every word that you spoke. You call it low IQ, the conspiracy brain. Now you bend over and let the Jews run the train now. You're on the other side, finding your peace, but when you're 14 to 88 the war don't cease. Your whole history will end up in the dust bin. You belong in Lakewood now. You fed crying, name change or not. There goes your legacy of Units in the movement. That's all you level be. You try to be the fighter with the new ass name, but you got fatality when you play the game, Lucas Gates, fake motherfucker. It's a shame to see low IQ anti-Semitism gave you PTSD. And yeah, this whole song was made by AI robotic MC, just like your stupid philosophy papers that nobody reads. Lucas Gage, super goy playing with his joystick.
00:04:48 I get that you don't like conflict, but if this show I will, I got some bad news for you. We're already in hell. Stay fair. Well, to that pipe dream is not as odd as it might seem. You've been holding your breath. All you have been doing now is simply exhale. It's really not that complicated. They want what we've created, and they know that they can make it, so they take and take from me. Nice try to your way, but now it's time for something. It's a population sequence and infection.
00:05:39 All I can say is this, unless you're afraid of just me and my best friends. It must take discipline and stick to the syndrome in the mollis and this abuse without ever skin off saying that they call you bluff till you lose the ninth put up a fight, just let 'em in, roll over, let them settle and get out the way. Now take a bow, gentlemen, you got lost and left to prove it's a population sequence you're afraid of
00:06:30 is just me and my best friend.
00:06:44 The fact of the
00:06:55 matter is always a house of cards that sins is not the end of our story. Who says the house always wins? If you think about it, you know the thing about it. The rise comes before the fall, and the dawn is always darkest when you have your back against all population sick with an infection, and all I can say is this menace you're afraid of is just me and my best friends. We're friends like you. All we have is enemies.
00:08:01 Welcome. to the Insomnia Stream. Is it based edition? That'll be the question we'll try to answer tonight. I'm your host, of course, Devon Stack. Hope you're having a good weekend. Summer is, is not full on here. It's been relatively decent temperatures, not even always going into the triple digits, which is odd.
00:08:31 Churro is out frolicking, enjoying the desert. He's a, he's brought, I think he has like groupies, I think. He has groupies. The other night I was out checking out, I have this this building that doesn't have any air conditioning or anything like that, and it's got a metal roof, and I'm trying to, I want to store stuff in there, but I don't want to get just destroyed in the heat, so I installed like this.
00:09:04 I've got so, like, I have some solar stuff over there, but it's not the most robust solar system, and I have an exhaust fan on a timer that kicks on once the sun is down.
00:09:18 It starts, it's, you know, kind of cooled off a little bit to try to pull all the hot air out of it at night to kind of reset the temperature, and you know, so I was just out there in the middle of the night, making sure the fan was kicking on, making sure the batteries weren't getting too drained, checking the temperature on the thermometer stuff I got out there, just, you know, it's, it's cooler in there than it is outside, but not by much, not by much.
00:09:51 So, anyway, while I was out there, hadn't seen Truro in like a day and a half, and of course he comes out of. Like nowhere with a friend, he had like some friend with him that he was dominating. It was, it was kind of funny, because he comes, like, you know, like out of the shadows. I was like, "Oh, hey, what's up? And then his friend, like, came up from behind him, and Cheryl almost, like, as a display of dominance, turned around and just looked at his little cat friend, and the little cat friend immediately fell on his back in like this submission pose, and then sure looked back up at me as if to say, "Ah, look what I can do.
00:10:37 I was like, "Oh, good job, and yeah, and then I went back inside to keep working on the stuff I was doing, so he's got some little, some little cat friend that he was frolicking with that is has submitted, so that was kind of funny.
00:10:54 Anyway, obviously by now you've heard of the movie Citizen Vigilante, I mean, especially if you're on Twitter, right, especially if you're on Twitter, because Elon Musk, Elon Musk tweeted out the entire movie to all of his millions and millions of followers, which, of course, only amplified a lot of the suspicion that a lot of people have about this movie. I finally watched it.
00:11:28 I'd watched the clips everyone's seen, probably the clips at the very least, where the movies, obviously it's a vigilante movie, it's in the name, and you have a scene where there's this, these Muslim, the family of a Muslim rapist basically gets gunned down by a white guy who gives them a big speech about, you know, not raping white girls or something, and so, like, this clip's been going around, but I was like, well, what's the rest of the movie like, what's the, what's the context, and people are bringing up, you know, things about the distribution company, and we'll get into some of that stuff at the end here, but I was like, you know, what I'm just gonna do what I started out when I started doing YouTube, what I was doing, and I've got a background in film, fairly extensive background, and I've watched like a bajillion fucking movies at this point, and we haven't done like a movie review in a while, so I was like, "Wow, why not? Why not, right? Why not? Why not?
00:12:34 I'm gonna sit down and watch this like the way that I would normally review the films that I would do when I was doing videos on YouTube, for example, the way I would do it, especially if it was a movie I hadn't seen in a long time, I would watch it once as if I had just sat down in the theater and I was just a total fucking normy watching it, and I would, I would not, not take notes or anything like that, but I would take mental notes, like when I got an emotional reaction, or any kind of really any kind of persuade, I felt persuaded to think about a certain thing, or influenced in a certain way or manipulate it emotionally or or any other thing like that, I would, I would, you know, my brain kind of just does that automatically, and then I would sit down and watch it again, and that's when I would really take notes and and go over it and and pinpoint certain things or maybe catch something I hadn't seen the first time I watched it, so I did the same sort of a thing.
00:13:44 I just sat down and I watched it like I was a total fucking normie watching this movie, and I thought to myself, like, what, what is this, what kind of, because every every movie is emotionally manipulative every single movie, unless it's really bad, and every single movie, or at least the goal of every single movie, is to elicit some kind of thought process, excuse me, thought process, or or train of thought, or get you to think about something right, and it might not even be that deep, but it's even like if you look at some real basic comedy, where even if it's like mostly slapstick, if there's some kind of storyline at all, there's always a more, the morals of the story is right, like there's always that, even if it's just something that's really cliche, and it's not that deep, and it doesn't really make you ponder the meaning of the universe, or anything like that, you're going to have your brain is going to go somewhere with it, right, like you're going to walk out of the theater or out of your cat.
00:14:59 Couch, or wherever, and you're gonna, you're gonna be left in the context of that film, like the mental and emotional context of that movie is gonna stay with you for a little bit, might mean very little bit, you might, by the time you get to your car, it might already be gone, but then there's movies that are very influential, and they sometimes stick with people so profoundly it almost becomes part of what defines them, you know.
00:15:28 Those people, everyone knows people like this, people that are constantly quoting movies, you know, like, or quoting, you know, episodes of a show, or like, it's just, you can tell that really influenced the way they saw the world, because they almost see everything now through the lens of that movie.
00:15:52 That movie has almost become their worldview, and you know, the extreme examples, of course, the Star Wars nerds, the people that that decorate their entire house and walk around larping as character, that's an extreme example, but some version of that happens to everybody after you see a movie, which is what makes them so powerful, and which is why they, they use them for propaganda purposes, so obviously this movie has some messages, and some are implicit, and some of them are explicit, and we're going to go over and see what those are right now, so again, if you haven't seen it, tons of spoilers, because we're gonna go over the whole movie.
00:16:43 If you have seen it, then you'll remember this, because you would have seen it just very recently. So, the movie starts off, and you've got a white mother with a white son in a grocery store, not going to play the thing, and they walk out, and it's almost like you can tell something's gonna happen the way that it's shot.
00:17:08 It's very much like a the the opening scenes of a horror film, you know, like where the family's happy and they just bought some new house or whatever, and like the demon hasn't come yet, but like you, the whole time you're like, you know, there's a demon, or that there's something's not, you know, something's gonna be bad, because the color grading is implying that, and the music is kind of like, even though it's happy music, there's something kind of like maybe it's too happy, or like there's something not right, and just the way that they're shooting things, you know, like for example, even in this shot.
00:17:44 Well, this is maybe I picked a bad shot for this, but where it's like in horror films, right? You always have like the shot that's from behind the trees or something like that.
00:17:54 So, like the family's playing in the backyard, but like you, the it's from the point of view of someone that's like watching them from the tree line or something like that, so you know, similar shots, it's like, you know, people, someone watching them from, like, behind a, you know, like whatever's in a grocery store, that sort of a thing, and just like the tracking shots, and just, you know, even though it's, it's all very happy,
00:18:19 and whatever, you know, something, something's gonna happen, and sure enough, something does, and a black guy comes and, and just stabs their, stabs the, the mother, and in the neck, and she bleeds out, while her son is is sitting there crying and screaming, and he's obviously one of these migrant migrants, and he's representative of these migrant attacks that happen in Europe,
00:18:47 where you have some wild African with a knife going around murdering people that are helpless to do anything about it, and this is this is where I think already it was a smart choice to open your movie like this if you wanted to get the attention of the audience that I am suspecting that they they wanted because just having this kind of a interaction where it's a black guy attacking white people in, in the context of a 2026 movie, that scenario almost doesn't even happen now, right? Like, the, the movies are so bad in terms of showing accurately the the racial composition of people involved in conflicts, right? Like, it's, it's so upside down that even just having this already, people are going, "Oh, this is fucking based, this is fucking based, because they're, they're.
00:19:59 Accurately showing that it's a a black person attacking a blonde white woman who is minding her own business, doing absolutely fucking nothing. The next part is where it kind of goes a little bit, little bit weird in my opinion. You get this news report, this news report pops up, and this is where it just kind of, I, my, my suspension of disbelief, like we're just minutes, minutes into the movie, and my suspension of disbelief is, is immediately disrupted. disrupted
00:20:44 the nation is gripped by fear as a wave of shot sweeps the country. Her mother was murdered in broad daylight in front of her child by another suspected undocumented migrant.
00:20:54 Because the media would never report it like that, that media would never report, oh, once again, another undocumented migrant murders a poor, helpless white woman in broad daylight with the, with the graphic on the screen, migrant attacks on the rise.
00:21:14 So now I'm like, all right, like, what's going on here, right? Like this, you're either missing a huge opportunity here, a huge opportunity to address the fact that one part of what's enabling this problem is that the media doesn't report it like this, you know, this is, this would be very easy, this would not require a whole lot of thinking to frame this in such a way that it would have more, more value, more propaganda value by showing the media reporting it the way that the media would have reported it.
00:21:57 You know, you don't have to be crazy about it.
00:21:58 You could have just said, you know, just made it as nonchalant as they do, not talking about the race of the perpetrator, not talking about the race of the victim, which you know they don't really talk about race, and that's another thing in this movie you'll notice race seems very absent in this film, other than this first scene, and maybe some of the scenes, like the, the, the, you know, it's not that there's, there's zero, it's not that the racial aspect of it is completely wrong, but there's some obvious, obvious issues, which we'll get into in a moment, but this would have, you know, this is the kind of thing that, where I was immediately like, okay, that's a little weird, why is the why is the media like sound like why does it sound like almost like Fox News in Europe, you know?
00:22:49 But anyway, be that as it may, so the media starts talking about this, and then you start to find out that there's some vigilante on the loose, there's a vigil, and this is again, it's, it's, it's leveraging this idea that there's apparently Fox News Europe that reports like this, where they, they're going around interviewing people, and this would also not be, this is also not accurate, right, they're going around interviewing people, and people like, oh yeah, I think it's totally awesome that there's this vigilante going around killing these migrants, or whatever, that are problems that I don't think that's what you would find, you know?
00:23:34 I think that, and in fact, many of you have seen the same videos I've seen, where they go around and interview people, man on the street, especially places in Europe, and most people are even if they do, like let's say in this this fictional scenario was was was real, right, that there was some vigilante on the loose in America in Europe killing migrants and whatever that were causing problems.
00:24:02 I don't think that the response you would get from the man on the street would be, oh, I love this guy, this guy's great, he's fantastic.
00:24:12 Oh man, we need more of this, even if that's what they thought, even if that's what they thought, I don't think that that's what they would say, and again, at this point, I'm thinking to myself, as I watch this, this is another missed opportunity, right? If you're trying to have social commentary that's deep, that's understanding of the issue, this would be an opportunity for you to show a woman on the street in an interview, you know, uncomfortably, you know, maybe you can even, because there's ways you can, you know, with, with actors, you can, you can get that, you know, direct them properly to where they can say the, you know, what they think that they're expected to say, almost as if they're like the, the, you know, the people in the.
00:24:59 Crowds in some North Korean, you know, propaganda film, or they know they're on camera, and they don't want to say that they like the vigilante that's going around murdering migrants, but you can tell, you can see in their eyes that they do kind of like it, right, that that's something they could have easily done, but that's not what what they do at all in this film, they have all these people cheering it on and saying it's great.
00:25:25 Okay, well, that's from a social commentary standpoint, that's that's a missed opportunity.
00:25:34 From a propaganda standpoint, I'm kind of on the fence, I'm kind of on the fence. I think that the point about the media needs to be made, because that is part of the problem, and that is part of the problem that people need to become. It's almost as the media being instrumental in this crisis beginning and continuing that needs to be focused on, that needs to be conveyed to people.
00:26:12 I mean, most people understand it, but like, if you're going to make a movie like this, there's ways you can do that without, you know, without being super ham-fisted about it, you could show, look, the public is the public is basically being held prisoner by a ruling class that doesn't care, who uses the media, who lies about what's going on, and the people like this woman on the street, who is aware of the problem, is terrified, almost as much, almost as terrified as she is by being stabbed and raped to death by a migrant.
00:26:48 She's terrified of just telling the truth, because that's something that needs to be conveyed to the target audience.
00:26:56 That's the, you know, that's something that you need to get through to people that you don't, and make them look pathetic, like make it look pathetic that she has to do this, because you want that, that shame, you want that person that's in the audience that watches this movie to think, you know, because what they'll do is like, whatever one does, you project yourself on, you know, onto the people that are in the scene and think, you know subconsciously, what? How would you be reacting in this situation, and if you would be reacting cowardly in the same way, then you might, you know, you would feel that shame of, like, oh, would I have the balls to say something, or would I also be intimidated by the fact that I was on camera, but anyway, so we get to that point.
00:27:45 I'm kind of like, all right, then we get to stuff like this.
00:27:48 This is the acting's bad, but it's a little more realistic in terms of what would be happening if you had something like this going on, where now you flip to social media and you have, like, in this case, like some Maga mom type, where she doesn't have to worry about going to jail for, you know, tweeting or saying something that might disrupt the racial harmony of the community, you know, whatever, like, the, a lot of Europeans have to worry about, so again, the acting is a little kind of, but you know, this is the kind of thing that they play like a montage of stuff like this.
00:28:22 Have
00:28:22 you heard of this vigilante crime fighter guy over in Europe? He's like the real deal. This man is taking out the trash. I think we need somebody over here in the States like that.
00:28:36 Oh my god, we like you go girl. We need someone like that. Oh my god, like it's again. The acting was pretty bad, but I was like, all right. Well, okay. So they have this montage of all these people on social media trying to, you know, kind of explain to the audience that look, this is that this is a well, apparently, been going on long enough now to where there's buzz about it on social media.
00:29:06 There's people all around the Western world that are making posts about this mystery Batman style vigilante that's going around and, and you know, killing the bad guys that the police aren't dealing with, and there is a at least a faction, although the way this movie is portraying it, it's like it's like everybody, everyone loves the fact that this is happening. There's there's zero.
00:29:33 This is nothing, another missed opportunity. Why not play clips from opposing accounts? Like, why not show the blue-haired leftist psycho talking about how it's a white supremacist, or you know, whatever, just something to, so again, if you happen to be one of these left-leaning people in the audience, you feel ashamed of being that that guy.
00:30:00 Or that girl who's on the screen complaining about the guy who the justice, you know, the guy who's fighting for justice, or whatever. Ridicule goes a long way.
00:30:10 I mean, look at how often Hollywood films, and they still do it, obviously.
00:30:15 I think they're they're not as subtle about it anymore, but if you look at Hollywood films that have a very specific leftist message, they're they're injecting, there's almost always like the dumb Republican or the dumb, you know, white Christian guy, or whatever, right? There's always like some meat-headed, you know, bigot somewhere, that you know, white bigot somewhere in the movie that that the audience is supposed to be afraid to be like, oh, I don't want to be that guy, that guy, oh, he doesn't get it, he doesn't get it.
00:30:48 And that is absent from this film. There's never any kind of lampooning, or even just suggestion that there's any kind of opposition at all. The suggestion is that this vigilante is going to be loved by everybody, that all he has to do is, is just start killing migrants, and the entire, you know, everyone's going to be singing his praises.
00:31:11 So then you get to the first clip that amounts to, I guess, the manifesto of the movie that's kind of distributed throughout the film, in these little clips, it doesn't really explain how these videos are being distributed or being seen, but you get the idea that somehow this vigilante is making these anonymous videos, and they're getting, I guess, the internet somehow, they're getting posted somewhere, or whatever, and people are watching them, even though in the movie they're always watching them on TV for some reason, so they're watching these clips of this guy who explains, you know, that I'm the vigilante, and this is why I'm doing it, so let's, let's hear, obviously, this is, you know, the writer wrote this monolog, so let's, let's have a listen.
00:32:04 What, what would be the purpose of, like, why is he doing what he's doing?
00:32:09 There's been a lot said about me, so I thought you should hear directly from me. Everything that I do, I do for you. I can't sit here and watch, you exist in a state of sleep paralysis anymore. The truth is this: you are all being used, you are all nothing but play things. Every soldier who's gone off to war thinking that their death was for an idea or that their sacrifice was important for society has been played.
00:32:46 Clinton, Biden, Trump - you never see them on the front lines of any battle. Why? Because they will never risk their own lives. They have you.
00:33:00 It tricks you into thinking that you are dying for your country, but your country doesn't do anything for you either. You walk down the street and you get stabbed or robbed, killed, and what does your country do? Nothing. And what do you do? Nothing.
00:33:27 Universe demands balance. You must match Yang
00:33:35 now. I actually don't have a problem with that at all.
00:33:38 In fact, that mirrors very closely a scene in the beginning of my book, Day of the Rope, a conversation between one of the main characters and, well, I guess a the target of some of his vigilante justice, where he sits down and explains that there is, you know, that we're basically just useless eaters to these people, that we're cattle, you know, that we are, that, and in fact, in that book I use that exact example of all these people that went to war thinking that they were, were fighting for some kind of cause or some kind of country, all their reward really is is getting their name on some fucking memorial somewhere, nothing they thought that they were fighting for was real, it was all just an illusion, it was all just a fantasy, a carrot, and I actually like, like, this message that's in here, because if you put yourself in the shoes of a normie that's going to be receptive to this sort of a thing, like, let's say, because obviously no leftist is going to be that's one.
00:35:00 Problem with this, and every right-wing movie is no leftist is going to watch this and be like, oh, I never thought of it that way, you know, like that's that's never the subtlety is always gone, always gone.
00:35:14 If you have any, any movie coming from the right, it's..
00:35:18 I don't know what it is, but there's just never any subtlety anyway, so what? What are you trying to accomplish here? What's the filmmaker trying to accomplish here? Well, if we're to believe the this manifesto, and I would say even the message of the film as kind of stated at the end, it is to get people to stop being victims and to use force in when they're in situations where they will otherwise become victims if they don't, and that all too often we've seen these videos of white people just being abused or assaulted or murdered by non-whites,
00:36:12 and all too often the white people that are the victims in these videos are not fighting back, and the white people around them in the train car or on the street corner or in the restaurant or wherever it's happening are also kind of not fighting back they're just letting it happen expecting because they were bred to believe this that somehow law and order is the job of of law enforcement and that they shouldn't be the ones that vigilante justice is bad, and, and you know, we should let the law sort this out, and so when you have this dependency, this mental dependency on the ruling class to take care of these kinds of problems, and then they don't do it, you just become fodder, you just become prey, and so if the point of this movie is to get people to start thinking about that and to delegitimize,
00:37:15 which is exactly why I wrote my book the way that I did, delegitimize the idea that you know there's something honorable about following the rules that you know that the country, especially because the kinds of people that you're going to want to appeal to are the kinds of people who might have, like, a military background or maybe even a law enforcement background, you know, the kind of people that kinds of people that would be trained, I guess, to be vigilantes, and that would be, that would be kind of in their wheelhouse, and that's the kind of person that might even be drawn to that kind of a thing.
00:37:52 That's why they were drawn to join, join the military, the first place, you know, that sort of a thing. Lot of these people, their hang up is the fact that they still believe in this facade.
00:38:03 They still believe in the many of them that you know when they go, for example, they get deployed to go fight in the Middle East somewhere, that somehow they're fighting for freedom or in the American way, and somehow they're keeping their families safe, because if we don't fight them over there, we'll have to fight them here, and you know all the stupid excuses that they maintain and believe in order to prevent themselves from realizing that they're just some pawn of Jews.
00:38:36 Another thing, another topic of this, obviously, this movie, you know, who would obviously, that that's left out, right? Or is it? It gets a little.. well, we'll get into that. So, I kind of.. I'm okay with that. You know, is it the best writing in the world? No. Is it the worst? No.
00:38:57 It kind of lays out a theme and it sets your, your brain down a certain path that, hey, your government is basically illegitimate, because the point of the government, the first, you know, and foremost thing that it should be responsible for is protecting its people, that's the whole reason why you let them do the things that they do, and let them have the authority that they have, is because that the social contract is therefore they keep you safe.
00:39:31 Well, you know what he's saying here is that that social contract has, unbeknownst to you, it's been dissolved. It has been dissolved, and you have to understand, and look, people do.
00:39:44 People need to want people, the white people in the West need to understand that social contract is now null and void. It doesn't matter how many generations of your family went to different battlefields and bled out, and whatever, how many. Years you've been paying taxes, all that doesn't matter.
00:40:03 The social contract is meaningless to the people on the other end of that contract, and one of the mental blockades preventing people from sticking up for themselves when put in these kinds of self-defense situations is that they still think that that contract is valid, they still think that, like, if they call the cops, that the cops will arrest the bad guys and not them.
00:40:30 So I'm actually okay with that. I think that's a good way to get the audience thinking, that's a message that it's very important, and it's also important, if you're going to be justifying vigilante justice in the first place, you know, we've had a lot of streams where we've talked about lynchings that happen the United States, and while you were probably taught in school that this was slim, like, oh, a bunch of racists would just go around and go, "yee haw, let's kill us some niggers, you look into it and find out that's never the case.
00:41:02 I mean, I won't want to say never, because who knows, right? But, like, that was at least almost never the case. You had a, a usually it was a failing social contract situation. You had local law enforcement that when faced with a black that was raped, that had raped a white woman, or whatever, you know, done something was incompetent in their serving of justice, and so the the population would say, all right, well, if you're not going to take care of the problem, we aren't, and they would band together, and they would go take care of the problem, and that's what lynching was, like 99 times out of 100 that was what lynching was.
00:41:54 Does that mean that no innocent people were ever lynched? No, you know, that's that is why it's preferable to have a civilization where there are courts that are legitimate and there are law enforcement officers that are legitimate and competent, but in absence of that, you do have to kind of take the law into your own hands, and that's what people were doing, and that's kind of the message that people need to understand,
00:42:25 is that, like, yeah, it's one thing, like, people act as if, especially the people that get mad, the people that got mad at my book, or they get mad at accelerationist stuff, or whatever, that's that's where they, they always go with it, right, the people who are, and just generally the people who are cowards and pussies, the people that are afraid of conflict because they know they wouldn't last five minutes,
00:42:49 they, their fall back argument, and, and maybe they've convinced themselves of this, is that, oh no, we need to solve this politically, otherwise, you know, you can't say that we're these like civilized white people, and that makes us somehow better than the rest of the, you know, the world that practices the law of the jungle.
00:43:09 You know, we have to. It's like, no, that has failed.
00:43:13 And when that has failed, it's insanity to keep pursuing solutions that are, by pursuing them, causing you to go extinct, and so that has to, that message is an important message for audiences, and for right-wing audiences, which is, like I said, there's a lot of people who still don't get that, they're still hanging on to voting harder, and they're still hanging on to, we can, we can fix this, guys, and it's important for those people to understand.
00:43:44 No, the contract is gone. The contract does not exist.
00:43:49 You do not have a government that represents you.
00:43:53 I can't think of a single politician in my entire lifetime that has done anything that has moved the needle in the direction that I would want society to go in, and I can, in fact, quite the contrary, it has only gone away from where I'd like the society to go, and so at what point do you have to say to yourself, oh, so like, who are these guys then, right? Like, who are these people? So I don't have any problem with that. Like I said, is the best writing? No. Is it the best acting even? No.
00:44:30 But whatever. We then get to the first scenario. It's pretty vague. They don't really explain, like, who these people are. You just kind of get a suggestion that it's some kind of organized crime guys, even ethnically it's kind of vague, like I can't really, and maybe that's just me, because I'm an American, I can't really pinpoint their accent, are they white, I mean, not real.
00:44:59 See, but I don't know, are they like, what are they? I can't tell, are these like Turkish people, are these like, you know, to me, like, I don't know what they are, and so it's, it's kind of vague, like it's just like vague organized crime guys talking about vague organized crime things, and and then he blasts them, you know, kills them, and you know that that's that's the whole scene, doesn't really explain like what they were doing, or you know, it's it's all like all right, bad guys, I guess.
00:45:31 So he kills some bad guys, then you get to this, and you get to the politician who, or not politician, I guess this is like the chief of police character, and the chief of police character, unlike the portrayal of the media, is more in line with what I expected to see from the way they portrayed the media, where he uses the kinds of - again, it's not the best writing, but it's on the right track, he uses the kind of talking points that you might see from a European or American law enforcement authority if you had a situation like this, where they talk about, well, I'll just play the clip, but it's, it's, it's not, I don't, I don't feel like this is wildly out of step for the message that they're trying to go for here.
00:46:28 The
00:46:28 investigation is leading to the possibility of international terror cell that is against democracy, and it is not impossible that this terror group is a movement supported by Russian and/or Chinese government institutions that not only active online but already active on the ground fighting our countries in the EU and the USA. There are indications leading in this direction.
00:46:59 Okay, so you get the messages, you know, like they're not - they're obviously lying about what the actual problem is. This is definitely - they're not even touching the idea that this might be a reaction to bad policing and bad immigration policy and bad behavior from immigrants. It's, you know, a terrorist organization. It's the enemies of democracy, it's, you know, it's everything that it's not right.
00:47:25 And so, all right, so that again, I feel like that's good. That would resonate with people in the audience saying that, okay? So, the problem is, you know, the either they're either he genuinely believes this and he's out of touch, or their line, so they're complicit in this kind of crime that has created this vigilante, so no problem there.
00:47:50 We then get to this scene, which this is where it starts to go a little wonky, so in fact it's kind of funny because it reminds me of a scene in Joker where it was wonky for the exact same fucking reason, right.
00:48:06 So he's on the bus, and then a group of teens get on the bus, and it's a very diverse group of teens, and not diverse in the way that you might think, diverse, and as in it's actually diverse. It's, it's not just all black teens or all Muslim teens. It's a black, a white, white-ish. I again, he's kind of ethnically white-ish, but it's hard to tell. Same thing with the girl, I don't know. He's kind of like white-ish, maybe.
00:48:40 I don't know, maybe that's some kind of white that you guys have in Europe, that I just.. I don't know, he's whitish, and but he's the instigator, so these teens get on the bus and they don't pay the bus fare, and this is where it matters, this is where racial representation matters, and I don't think that I'm sitting here and being, you know, like the perfect is the enemy of the good.
00:49:07 No, this is this is a big, big, big part of the message that needs to get through to people, you know, that just like in that first scene where you had the black guy stabbing the white woman, because that's the racial reality in Europe. That is exactly what's going on in Europe.
00:49:28 The even smaller cases, this is that's still the issue. Race is the issue. The reason why these immigrants that are coming into Europe are incompatible with Europe is because they're not white, they're not Europeans, and so the conflict that is existing now in not just Europe, but in every white country between whites and non-whites, it's because it's between whites and non-whites, you.
00:49:59 Know it's not like some white, white-ish teen that has a black friend, which is what they do in this scene. So, again, at this point I'm like, all right, what's casting obviously matters, and it's very deliberate.
00:50:16 You don't just cast, I mean, he obviously had the budget to cast not anyone he wanted, but like he didn't have to just take people, randos off Craigslist either, right? And so this is really bizarre that not only is the ring leader in this gang of ruffians that are refusing to pay for their bus ticket, not only is the ring leader a white kid, but the bus driver? I think he's Arab, right? I mean, again, he's a light-skinned Arab, maybe, but he looks pretty Arab to me.
00:50:55 So, what's. what's the. where's the. what's the context here? Right, is it just does this have anything then to do with the fact that you have non-whites going into white countries causing problems? Well, it seems like quite the opposite here.
00:51:15 You've got this law-abiding Arab who's just trying to do his job, he's just trying to drive the bus, and this fucking white kid with his black friend, and then some girl who's also whitish are giving him trouble, giving him trouble, and so you know the vigilante has to swoop in, you know, like the white savior, rather than, you know, rather than being in a context of, here's the white guy standing up to diversity, standing up to the migrants, standing up to the racial problems in Europe.
00:51:51 No, it's just apparently it's just generic crime that really, in this instance, doesn't have anything to do with migrants, really, or you know, like anything, it's just just crime, you know.
00:52:09 Hey, I guess he's just a crime fighter, you know, like he's just, he's, he's just Batman, you know, fighting crime, you know, just like, like I said, Joker were like the, the three white guys on the on the subway, the three white guys wearing suits and ties are the ones that accost him on the subway,
00:52:28 so it's kind of like, okay, what you got this white kid causing the problem for the, for the Arab, and then he sits down and he gives them some speech, you know, about why civilization is important, but again, it's two white people and the black guy, who doesn't really seem like he's, he's, he's never the instigator, and he's, he's not even all that interested as much as the two white kids, right, and he's like, this is why, this is why we need to have civilization, and the other as part of this, this conversation that he has that is irritating,
00:53:08 irritating to me is, and you'll see this again and again in the movie, one of the major motivating factors in his vigilantism, apparently, or at least his problem that he sees with society, not only is it not racial, it seems to be economic, seems to be economic, because the big speech that he gives these kids is, hey, you have to pay your bus ticket, because if you don't pay for your bus ticket, then that means that they have to raise the price of the bus tickets for everybody else, and so when you don't pay for your bus ticket, then everyone else pays more, and it's kind of like, yeah, I mean, that's basic economics, but is that really the problem here? Is that really the issue? Is that really like a big problem in Europe?
00:54:08 Is like the the public transportation prices are going through the roof because teens are like not paying for for bus tickets.
00:54:18 Like, what are we doing here? Like, why? What's why is this in here? Why is this one of the examples you're using, as like this? These are one of the scenarios where the, the crime-fighting vigilante, his presence was necessary. They had to put up the bat signal because some fucking teens didn't pay for their bus ticket.
00:54:38 So, I'm like, all right, you're losing me here. You know what, what are we doing here? Like, what is this? And then to make it even stupider, the black team doesn't, doesn't get violent in this interaction at all. The white team does, or whitish, you know, whatever he's supposed to be.
00:54:58 I don't know, maybe he's like some kind of. Again, the color grading makes it hard, too, so maybe he's like some kind of like Persian or something like that, because he doesn't look like white, white, so, but regardless, so he pulls, like, he pulls a knife out, and you know, army hammer was, is just like, whatever, whatever, dude, you don't want to fuck with me, I've got a gun, and you know, they get off the bus, and whatever.
00:55:26 So, the next scene, he goes, and he talks to a.. I mean, they don't really explain the context, but you're able to kind of figure out that, okay, this is a victim of.
00:55:41 I mean, they don't even say migrants, but I would assume migrant crime, some migrant rape, but they don't even really say that, they just say, you know, rape or whatever, and in this scene they, again, it's not bad, it's not bad, because in this scene they're, they are addressing something that needs to be addressed.
00:56:02 They are trying to influence a type of person here, and this type of person would be a white woman. And so, in this scene, you've got a white woman who has been victimized by apparently migrants, she's been raped, she's been beaten, and he walks into the room, and he tells, and asks her, "Do you know what? Do you want to have happen to the people that did this to you? And her response is, "Well, I want them to go to jail for the rest of their lives.
00:56:35 And he says, "Well, you really want to have to go through that, you want to have to sit through a court process that could go on for years, be re-victimized every time you have to testify, risk being afraid of reprisal, you know, put yourself through this whole legal system that it doesn't even guarantee that even if all the evidence is there that they're going to incarcerate these people for the rest of their lives, as you want, don't you instead want actual justice?
00:57:13 Like, don't you instead want actual justice in this scenario, and they actually do a good job of being persuasive to the kind of person that would, would be against, even you know, even in scenarios like this, would still want again, you have to undermine faith in the system in order to convince people to justify vigilantism.
00:57:45 You have to convince the audience that the system is so broken that gaining justice using the system under almost any circumstances is basically impossible, and so therefore, if you want justice, the only alternative is for you to go outside the system, and look, I believe that I believe that the system is so fucked that there is no political solution there. You cannot use the system to fix the system.
00:58:24 I have been saying this for at least a decade, and so I agree with this.
00:58:32 This scene here, where he makes that argument to her, and he convinces her, you know, subtly that, you know, she gives the nod of approval, you might say that he go, and I mean it's, it's kind of unspoken, but it's understood that yes, I want you to go, you know, do some damage to these people, and so he, he's like, all right, I'll go fucking avenge you, or whatever, but again, it's it's read, read between the lines, kind of stuff, but you get the idea, she gets the idea, and I don't think it was a bad scene, it's not going to win any Oscars, but, like, it's not a bad scene, and it makes an important argument that to an important demographic, I would say, so then we get to another one of his manifesto clips.
00:59:24 So let's play the manifesto clip.
00:59:28 What if everything they ever taught you was utter nonsense?
00:59:34 What if that's what Nietzsche meant when he said it's cold and lonely at the top of the mountain of wisdom,
00:59:40 a place free from imposed morals, or false religions, or politics. A
00:59:47 place free from man-made tools of oppression, only meant to control you.
00:59:54 Look, if you want the cold hard truth, I'll give it to you. We can change his. Country, the state, the court, police see, you think that they've failed you, but they haven't, because they were never meant to give you justice. Now they only exist to control you. See, but I'm here to help you take that control back, you now.
01:00:25 Again, I actually don't have a problem with that. I nominally agree with what he's saying, that the people at the top live by different rules, and that the people, well, not basically everyone, but the people at the top live under a some form of a slave morality and accept their servitude to the system, and don't, and often don't question it, and just go along.
01:00:56 I mean, we all saw what happened with the lockdowns during Covid, and all that stuff, and just generally, most people just believe in the system, and this is once again another argument, another vector of attack to try to undermine the idea that this system is legitimate, that this system has your best interests at heart, that this system exists for anything other than a crowd control that it's basically exists to keep you out to pasture until it's time to harvest you, I mean, that's that's that's an argument I've been making too, so yes, I think again, I is the writing the best, no, it's not the worst either, but it's a, it's, it's another message that has to get through to a lot of people if they are to feel as though the system is beyond repair.
01:01:53 When people ask me why, like, you know, I guess it kind of came to mean, you know, certainly, I guess several different things over the years, but when I first changed the name of my YouTube channel to Black Pilled, when people would ask me, I'd say, well, that's I'm not black pilled on like the future of the white race, I am black pilled on the system, the system is beyond repair, the system is FUBAR, and if, in fact, if anything's going to kill us, it'll be faith in the system, it'll be faith the system, it'll be people telling you to vote harder,
01:02:33 it'll be people telling you to keep doing the same thing that we've been doing my entire life that hasn't reversed the trend or even slowed down the trend of white replacement, and I've said again and again and again, anyone telling you that the system is the way to solve these problems, and you know, to put it bluntly, are basically enemies of the white race, and many of them are doing it because they don't feel personally threatened, and they do feel personally enriched by the system, and so they, they want to be,
01:03:07 in fact, many of them want to be a part of the system, and to the degree that they will denigrate the system, it's because they want to be in there, and so they, they're not, they're not trying to undermine the system, they're trying to undermine the people that have the jobs that they want, and so I think this frames it in a much different way, in that the way that I framed it, you could say sort of that a you do want to undermine the system, because it's the system itself, that is rotten.
01:03:42 It's the system itself that is broken. It is a totally different morality being practiced by the ruling class, which includes, obviously, lots of Jews, but not exclusively Jews, but they don't even touch the Jewish part of it, obviously, in this movie, and you might see why here in a moment.
01:04:04 Then it gets weird. Then he goes to a whore house for some reason, and you're kind of like, what? So at first I'm like, oh, is he gonna go like go shoot and kill some pimp, right? Like he's the vigilante, and so he's gonna go and, and shoot the guy that's that's running the whore house, right, and save the day, but no, no, he's there to get a whore, actually, and not even a white whore.
01:04:39 Now, look, Army Hammer is is, is half Jewish, half white. At least I'm pretty sure he's at least half Jewish. Think he's half Jewish, half white, but in the movie he's the white guy, right? Like, I know ethnically he's Jewish, although here in a second maybe not, but the way. It, if you're one of these white nationalist types, or conservative types, or just a European, you know, that leans right, or whoever in the audience, that's the guy that you are supposed to be relating to, right?
01:05:15 That's the white guy, that's the protagonist that you're supposed to be putting, you're putting yourself in his shoes, and to the degree, this becomes like a revenge fantasy, to some, you know, extent, you know, that's that's the vessel that you are transferring yourself into.
01:05:31 And then he goes and gets a Mexican whore, which I don't know why she's in Europe, maybe she's not, maybe there's, it's some kind of, you know, European Mexican thing, it's some kind of brown, though. So it's some kind of like he gets a brown hooker, and there's this gratuitous sex scene that really, there's there's no point to, and one thing that I noticed was when he takes your shirt off.
01:06:03 What do you see there? It's not, it's not on the screen for super long, but it's on there long enough. Troy was like, "Oh, hold on a second, that's Hebrew.
01:06:17 Why, why does he have Hebrew tattooed on his chest, and it is the letter Aleph. Letter Aleph is is tattooed on his well, on his belly, I guess, with a scorpion, and I'm like, okay, well, this, what, what are we doing here? Because now anyone that's a Jew, obviously, is going to know in the audience.
01:06:52 Oh, so he's Jewish, because only a Jew would have a tattoo like that, right now.
01:07:00 Yes, or other tattoos, a triangle, and I, I think that says easy, the on you know, the upper right there, I couldn't get like a clear it easy, or or Eddie, or Edie or I don't know something, but that's definitely that's definitely a Jewish tattoo, so I wanted to see what the significance of that might be, and I'm not sure if the actor himself has these tattoos, they don't look like tattoos that he would have, and even if they are usually in movies like this,
01:07:50 I mean, you have makeup people for a reason, you would cover up tattoos, so even if this is a tattoo that Armie Hammer has because he's half Jewish, unless the director would want that to be in the scene, you would cover it up with makeup, so it's clear that if you know it's not just the actor that's at least somewhat Jewish, the character is also somewhat Jewish.
01:08:18 Now, Aleph is the first letter of the Hebrew alphabet, and the common symbolic meanings that I read again. I don't know, I'm not like an expert on this, but that it can mean beginning, it can mean origin, because it's the first letter of the alphabet, obviously. It can also represent oneness or unity.
01:08:45 It can represent strength that it's associated with an ox. In Kabbalistic traditions, it's also linked to the idea of something silent or unspoken, like a divine presence, but whatever the the reasoning the filmmaker decided to have that in there, the the reason is not no reason, so our main character is at minimum part Jewish, and I think it gets increasingly more obvious that he's more than part Jewish.
01:09:32 So, and then again, he's got the triangle, and the other one, I don't know, I couldn't really think of what that would be. I tend not to like focus on like the weird esoteric symbolism in movies, and so, and I don't feel like I am when I point this out, because it's a big Hebrew fucking letter on your, on your belly, you know, it's not like, oh, you can tell by the painting on the wall that depicts a man standing by the seashore that this represents the longingness that.
01:09:59 Has for a connection with no, no, no, it's a big ass fucking Hebrew letter on his, on his belly that's like pretty prominent in the shot, right? So it's not there for he also has, I remember correctly, I didn't clip the, I didn't screenshot it, but I think he's got another tattoo like on his wrist that has some kind of Hebrew shit on it too, but I don't have that screenshot, but I know he's got some guy tattoo on his wrist, I don't remember 100% of what it was, though.
01:10:29 But be that as it may, alarm bells, alarm bells, you know what's going on with this, and then he, they do this kind of joke, where he's obsessed about, like, the mold that's on the ceiling, even though he's right in the middle of fucking this girl, and then he lets out that he's the actual landlord, so no, not only is he not there to kill the pimp that's running a prostitution house, he's he's actually the landlord to the pimp, and knows that it's a prostitution house, and has no problem whatsoever making money off of the prostitution house, not exactly based, not exactly based, but also kind of a theme, right, kind of a theme.
01:11:29 When it comes to any time you see controlled opposition in the right wing, there are almost always these elements of, of white slavery, like with the Tates, or you know, prostitution, or pornography with the Only Fan stuff, like with clavicular and stuff like that.
01:11:50 Anytime you have the subversive characters that are pushed on the right wing, the, and not just the right wing, but young men in the right wing, the exact audience for a movie like this, you always have like kind of these undercurrents at the minimum of prostitution, human trafficking, you know, and it's so it's just kind of weird that, like, you know, it was a totally unnecessary scene, other than to kind of convey that this guy is a landlord, a Jewish landlord to a pimp, and his only concern about what's going on there, well, is no concern, really, because he enjoys the services being provided, but he wants to make sure that that they take care of his building, so that's a bit odd.
01:12:50 Then we get to this scene where we have these, these two guys, one's white and one's, I think, Jewish. It's hard to tell, but I think Jewish.
01:13:04 I'd have to like look up the actor, but I think that for the basic bitch audience they're thinking two white guys, even though I think that, as you'll see in the moment, the nose on the other guy on the guy on the right is kind of jewy to me there with these two girls at a bar, and well, we'll get actual, then there's they introduced, oh, look, there's these guys, or we'll get back to them in a second.
01:13:34 Also, in the bar is the detective that's trying to find the vigilante, right, and there's an exchange between the guy that's trying to find the vigilante and a random girl, and this is another situation where it just kind of, it took me out of, I mean, I get what the movie is trying to say, but it just took me out of my suspension of disbelief.
01:14:01 The girl, a white girl in Europe, walks up to a guy who's on TV, saying he's going to catch the vigilante, and she kind of says, like, well, why, why do you want to catch him? No one wants you to catch him, actually.
01:14:18 And he's like, well, I believe in law and order, and it doesn't matter if they, you know, he's still a murderer, and without laws will fall apart into chaos, and I get that. What I, the point of that exchange is supposed to be further undermining the system. It just doesn't.
01:14:36 It just seems out of step with reality, where some white girls like, I actually want there to be a vigilante, and I hate, hate the police and authority, and so it was just kind of like, ah, all right, whatever, but you know, maybe I'm nitpicking there anyway.
01:14:50 Back to, they go back to the two guys sitting down at the table, and they're gonna, you get the idea that they're gonna drug the two girls that they're with, they're gonna. Like, put some date rape drug in their drink while they're gone, the bathroom, and well, I guess date rape them, or whatever.
01:15:08 And this is why I say that guy looks like a Jew, is if you look at that fucking nose. And so I don't think it's intentional, but it is kind of funny, because it's the Jews' idea. So the Jew is trying to convince the white kid that, like, nah, nah, bro, it's cool.
01:15:21 Nah, we'll just, we'll just put these little droplets in their fucking drink, and then we can rape them, it'll be fantastic. So, it's, yeah, I don't think that's intentional, but you know, that's, I think it's just supposed to be two white guys anyway.
01:15:35 So, the vigilante army hammer here sees what's going on, and he goes over, and he, you know, he switches the drinks around, so you know, to foil their plan, and, oh, their plan was foiled, and, and he has saved these girls from being date raped by the, by the, again white guys.
01:15:54 So, again, this is one of these things where I'm like, well, hold on, if the whole point of this movie is to explain that the threat that women face in Europe, or that everyone faces, not just women in Europe, and in the West more broadly, because they do try to expand it to include all of the West, if it is the migrant crisis, it is, if it's a an issue of these non-whites and white societies again.
01:16:23 Why even have this scene? Why even have this scene? I mean, is it.. is it maybe to try to, like, if I want to be.. maybe this is a ham-fisted way of trying to extend an olive branch to women that might be in the audience that might be feeling uncomfortable with where this movie is going, although I would say maybe, I mean, maybe, but like I don't think I don't think those kinds of women are going to be hanging out for like the ultra violence that's in this movie anyway, but you could make that argument, you could say that.
01:17:02 Well, it's actually pretty clever, because unlike the ham fist that hits you over the head with that right-wing content that you're used to, what he's doing is he's kind of given it's a gimme, it's like saying, hey, hey, women in the audience that we're trying to persuade, look, he's a good guy, he's protecting women that are, you know, gonna get date raped by these scum guys, and has nothing to do with race.
01:17:26 Like, I don't know, you can make that argument. I don't know, I'd have to ask the director. I just, again, I felt like it was a little, little off the topic.
01:17:40 Um, they then start cutting in these scenes of, you know, these these SWAT team types are clearly going to raid some home where there's going to be a big confrontation between the vigilante and the law enforcement, so all throughout, you know, even starting almost in the very beginning, they keep having these quick clips of this raid that's that's building and building, so as the movie goes on, they keep flipping back to like these clips of the raid with the expectation that at some point there's going to be some kind of, you know,
01:18:17 big climax, so you know as they start to storm this, this building that the vigilante is in, so then again you have another out of touch media story where the media is once again somehow actually accurately kind of reporting things in this fantasy world, instead of trying to obscure the facts or the races of people or public opinion, like it's almost as if they're pretending as if the media is not prop has zero propaganda in it whatsoever.
01:19:00 It's possible that this is not just a single individual. However, what remains clear is that our current system is failing to protect our citizens. This raises critical questions. If the risks associated with migration outweigh the benefits, and if migrants are contributing more to societal costs than economic gains, then it may be time to re-evaluate our migration policies.
01:19:25 Yeah, file that under something you would never hear on any news outlet in Europe. But again, what was the argument? Economic, once again, it was economic, and in fact, every time they bring up the costs and the benefits, despite this rampage, this guy is going on to apparently seek revenge against those who have physically harmed white girls and other white people.
01:20:01 Pull, when it's actually discussed, it's economic. Maybe the economic costs of having the migrants is higher than the economic benefits, so we should re-evaluate it's economic, so very boomer, very fucking boomer. So, anyway, the raid at this point finally does reach a climax of sorts.
01:20:33 They bust into the, the building, guns blazing, and they all get gunned down by the vigilante, who has welded himself inside some metal box with machine guns or something, and it's kind of ridiculous, like the scene is like over the top violence, like 80s action movie, like a Rambo movie kind of violence, where it just keeps going, and it's kind of silly, like people's heads are exploding, like quite literally,
01:21:00 and he kills like 50 cops or something like that with this, it's like, whatever, you know, whatever, I don't have a problem with it, it's just in fact, in a way, it does kind of serve to undermine the whole back the blue sentiment that might be among viewers of this movie, you know, this idea that, like, well, you know, I hate, I hate the system, and I hate that, you know, that this is happening, but you can't blame the cops, they're just doing their job, and we love our cops, and you know that kind of a thing, it's, it does serve to undermine that a little bit by making the cops kind of like these targets for target practice, you know, like it..
01:21:52 I mean, he kills like it.. I mean, at least 30 cops, like in this scene alone, in like the most violent way ever. Well, you know, just, you know, just zero, like total psychopath mode, just gunning them all down.
01:22:09 So then he goes into his office, because he's a slum lord, and he's got a property management team that watches over his properties and collects the rents again, this which, which is why it's like I said, there was more clothes that this character is Jewish, and this is this is one of those clothes that he's a landlord,
01:22:32 and once again you kind of get into the economic question again, right? So, first you find out that he has lots of properties all throughout Europe, and he's worried about money, and he's frustrated with the court system, not just because they are failing the victims of violent crime from immigrants, but because they're creating road blocks for him when it comes to wanting to evict people who aren't paying rent, and that sort of a thing.
01:23:13 What is this? An olive branch to boomers? I mean, I don't know, but it's, it's again, it's, it's the focus throughout seems to be on economics every time they discuss it, at least, so he has this conversation, but then there's also this kind of weird, this strange hypocrisy that they inject into it, they do try to make it sound as if he opposes, I mean, they bring up the issue, for example, of migrant housing, right?
01:23:46 Where most of you guys have seen what's been going on in Ireland, where the Irish have been well burning down migrant housing, and a lot of this migrant housing is like low-income housing, or maybe sometimes hotels, or whatever it is, sometimes run by private entities and people who are renting out to the government to house the migrants, right.
01:24:12 And in the movie here, they suggest that because he has empty properties, that the government's going to want to seize them for the use of housing migrants, and he says, "Well, just tell them that we don't have any empty properties, that they're all full, they're all rented. But let me just play this little clip here.
01:24:35 There was one more issue to address. Recently, the tax authorities investigated deeper into the ownership of your holding companies, and that raised a few questions.
01:24:45 Since you are not a registered citizen here, nor did you enter the country legally, we might run in a few problems. We own a lot of social housing units, and the government wants to seize empty units for housing. Migrants.
01:25:01 No, we can rent them to them at full cost. What do we always say?
01:25:09 No empty units.
01:25:11 No empty units.
01:25:13 We can rent them to him at full cost. So he's not opposed to housing the migrants, he's just opposed to not making full price on the migrants, and then there's also the weird hypocrisy that he himself is an illegal immigrant, again intentionally inserted into the script.
01:25:39 Why would you do that? Why would you make it so that the character who's avenging the the native people against the actions of the violence of the the illegal immigrants? Why would you make him also an illegal immigrant, an illegal immigrant Jew landowning landlord that is totally fine with housing the migrants as long as the government pays him full price, so it's just like, again, it's another instance of what are we doing here, you know, like what it's funny because there's not, look, there's just not a lot of dialog in this movie.
01:26:24 There's not, and there's certainly not a lot of character development at all.
01:26:33 And so, when there is, you got to pay attention, because it's like, well, we, you're being kind of vague about basically every character in this movie, you're not giving me the backstory on really any of these guys, and you can, I can imagine some things, but like I don't really know what's going on, and this is one of the only scenes in the entire, actually, if not the only scene in the entire movie where you kind of get a little bit of backstory on this guy, like he talks about how he's kind of butt hurt about his dad sending him to military school and some other gay shit, and whatever, but this is obviously important, right?
01:27:11 Like, why, why is this exchange here like 30% of what we know about this guy, that he's a landlord that's totally willing to rent to the migrants as long as they pay full price, and that every time that there's an objection to the migrants, it's, it's an economic one, you know, like it's, it's, it's one of these things where I'm just like, what the fuck, you know what's even going on here, so then he goes to another victim's house, you know.
01:27:45 We presume that the late, you know, there's no backstory to it. It's just he's at someone's door, and you just have to, you know, make the connection there.
01:27:55 But he's at the door, and the father, he does the same kind of a conversation that he did with the woman that was in the hospital, where he's like, do you want justice? Do you think you got justice from the courts? Was that justice? And the guy's like, oh, you're like, you're crazy.
01:28:11 What time he's like, do you want justice? Justice, I'll give you justice. And then, like, the white girl's like, I want some justice, and he's like, I give you justice, and like that's the whole scene, really. So, so he goes and gets, I guess, the thumbs up from the girl that got raped to do justice.
01:28:33 Meanwhile, the investigator goes and visits the woman in the hospital that the vigilante had had visited to get her permission to get justice, and there is an exchange between them, which is all I think is important for the message of undermining the authorities, and that is when he asked her, like, when at first she, when in talking to him, she thinks that the vigilante must have been from the police department or whatever, and then once she realizes that he wasn't, and that this guy is looking for the vigilante, she lies to the cops, so she, she doesn't snitch, as you might say, not a snitch, lots of snitches out there, but she does not snitch, and that's an important thing too.
01:29:32 Once you realize that the authorities are your, are your opposition, you don't snitch, you don't talk to the authorities when they are actively trying to genocide you. I mean, I know that's hard to wrap for some people to wrap their head around, but you don't fucking snitch, and so this was a good scene to lay out that message. That, yeah, yeah, when you got some guy going out illegally doing things for you, you don't, you don't snitch on him when the cops come, you certainly don't tweet about it.
01:30:16 Then we go to, from there, there's, we're back to the the whitish kid with his diverse group of friends bullying some other white kid, and but again, he's the ring leader, so it's, it's not has nothing there.
01:30:35 None of them are migrants. I don't think, like, I don't think the black dude says anything, but they never say anything about him being foreign or whatever, he's just like their black friend, so again, this is not a, a problem of immigration, it's not a problem of of multiculturalism or multi racialism, really, because he's just, he's just like the token black guy that's in their group, but anyway, the, you know, big tough vigilante Jew goes and and tasers them, and then stomps on their on their wrists and saves the day, or whatever, they then go from that to another part of his manifesto. if
01:31:25 the police don't protect you, I have to protect you, and if the courts and laws don't give you justice, I will give you justice, and remember, I do this for you until you learn to do it for yourself.
01:31:48 Now, again, from a persuasion standpoint, that's a powerful way to put it. That's a powerful way to put a message in the minds of the people watching this movie, because that will, that will sit with them. It's a call, what they call that in marketing and advertising.
01:32:11 They call that a call to action, that after you, after you jerk them off with whatever, manipulate, you know, emotional manipulative shit you've been doing in your advertisement or your or your propaganda piece, you have the, you know, once you have them all keyed up on whatever emotion that you're tickling, that's when you hit them with the call to action, and while obviously in this movie they're not going to say rise up European men and kill the migrants, that's in a way, that's a way, it's a creative way to plant that seed that you're watching this guy,
01:32:58 and he's doing it because he's doing it, he's doing it because a he has to do it because the government's not doing it, because the government's illegitimate, because the government no longer serves its purpose, so therefore it is purposeless, so therefore if their end of the contract is not being honored, our end of the contract does not have to be honored, and so he's been forced to be in this position because he cares about what justice everyone cares about justice, right, and he went and he went so far as to visit the woman that was raped and asked for her permission to see if that's the kind of justice that she would want, and it is the kind of justice that she would want, and so in terms of like what is actually right and wrong, if you know, we get rid of all this legalese.
01:33:44 He's doing what is technically right, or at least that's, you know, for most people that would be viewing this situation, that's kind of where their head would be at. And he's doing this to show you how it's done. It's almost like a tutorial, and he's doing this until you learn how to do it yourself, and so again, this is a.. it's..
01:34:07 I think that while the writing in this movie is not fantastic, and I wouldn't say this is fantastic, this is one of the better examples of, of, I guess, persuasive writing, or writing that's going to let you know, get into people's heads, you know. I do this, I do this for you until you learn to do it for yourself, you know.
01:34:34 Give a man a fish, that kind of a thing, right. And so this is, I think it's it from a persuasion standpoint that's a good scene to plant the seed in people's heads that don't just watch this guy do this, learn to learn to be this, you know, to do this. So then we get to this, this next scene, and I thought this was kind of funny, because so this judge walks out of a courthouse and he stands outside in front of the judge's car,
01:35:17 Judge Reinhold,
01:35:18 Claudia, Judge Reinhold, really, for those who don't know, this actor's name is Judge Reinhold, the guy from the Beverly Hills Cops movie, a bunch of other 80s movies. His name is Judge Reinhold. Now, I don't know if, like, the writer thought, you know, thought about that when he was doing it, or if he was just picking like a German-sounding name, but I was just like, really, his name is Judge Judge Reinhold, really.
01:35:53 So, anyway, this judge comes out and he shoots him up with heroin, or what you find out is heroin, or maybe it's some kind of opiate, or something like that, and knocks him out, or not all the way, but knocks him out enough to where he's, he's like, you know, kind of out of it, and he puts him in his car, and he starts driving him around in his car, and he explains that judges like this are also part of the problem, which is funny,
01:36:31 because this is actually there's a, there's a scene, not a scene, but there's an aspect of, I know, I almost don't even want to mention it, because you guys were like, oh, when's it coming out, but there's there's an aspect of Day of the Robe too, where this, that, that addresses the judge problem, because there's, there is the judge problem, the judge problem needs to be addressed, but obviously hand in hand with the judge problem is the Jewish problem, because many, the vast majority, I would even say of these judges, at least in America, are Jewish, and in fact, a lot of this precedent, that the bad precedent that has been set over the years was because of Jewish judges and Jewish justices.
01:37:16 But anyway, that, of course, that is never really put in the movie, I wouldn't expect it to be, to be fair, I would not expect them to be like, oh, oh, Judge Slomo, or whatever, I mean, it would have been awesome if they did, and I feel like that, that could have been done in such a way to where it would not trigger a normie audience, you know, you can just subtly just say Judge Rosenberg, it would not, and not be like Judge Rosenberg, you know, like, you know, not make, don't call any attention to it, but just call him Judge Rosenberg, or George, whatever, right?
01:37:50 And look, Hollywood movies did the exact same shit when they would do their assaults on the right, right, or they just casually mentioned that the, the evil senator that's in the movie is a Republican, but they don't sit there and like make a big deal out of it, but they, they make sure you know, right, same sort of a thing, you could easily have made sure that that you knew he was Jewish, but of course they're not going to touch that with a 10 foot pole, because our Avenger is the Jew in this scenario, our Avenger is the Jew, so why they're obviously not going to make the bad guy a Jew, so anyway, he, he has a discussion with the judge and describes how he sees the judge has played a role in the, I guess, the dissolving of that more of that social contract
01:38:40 seems like heroin dealers anyway. How many of them have you let back onto the street? The laws are meant to protect the victims, right? It's not the perpetrators. Maybe that's when you lost your north star, when you started using the laws to help people hurt people.
01:39:04 You know, it's not just the perpetrators you cause collateral damage, Judge. It's people like you, letting people get away with rape and murder, excusing their behavior, letting people get away with rape and murder. Six boys raped a 14 year old girl. I saw your interview in front of the courthouse.
01:39:28 Saw you say that these boys just had an adjustment issue that they didn't know how to fit into society, but what you don't understand is this society that you think they don't fit into is falling apart and dying, and you are the cancer that is killing it
01:39:53 again. If he had been Judge Rosenberg, I would have that would have been not a perfect scene, but like pretty. Good, that would have been pretty good, because he's laying out the exact problem with the judge problem, the legal problem, and the missing elephant in the room is that these judges are often nearly always Jewish or women, and sometimes both, so again, this is this further undermines the viewer's perception of the people that are supposed to be their betters, the people that are supposed to be higher up on the food chain and are supposed to be looking after their best interests, and they are rewarded handsomely for it.
01:40:44 These people are given large salaries and prestige and power, and the trade off is supposed to be that when something bad happens, that you use that power in service of the people, and that's not what's happening. They are in fact enabling the very enemies of the people that they were sent there to really put to death, is what should be happening. I don't think the death penalty exists anywhere in Europe at this point, which is super fucking gay, but needs to come back, needs to come back.
01:41:25 So, again, obviously the Jew thing is is getting in the way of the actual actual root of the problem, but at least they're focusing on a a first first order symptom of the problem. He then continues,
01:41:53 human beings are such sheep, even when you push them to the limit, they will obey the law, even if their own lives are in danger,
01:42:03 here show you
01:42:19 see what happened that car, when we went into their lane, instead of just crossing the line and breaking the law and going into our lane, they went into a ditch and most likely died.
01:42:31 Okay, now that's that seems just fucking ridiculous for a million reasons. One, I mean, just the obvious, that the car just explodes, like what was that guy driving around with a bunch of c4 and like hand grenades? Like, come on. So, but second of all, it's all bullshit.
01:42:51 This is why the racial element matters. This is why you undermine people actually figuring out the problem when you leave out really important details, like the racial aspect of all this, and what he's saying about people just wanting to follow the rules, that only applies to the white people in these countries.
01:43:11 Otherwise, you wouldn't have this problem if people just follow the rules, and they'll do anything to avoid breaking the rules. Well, then, how come these rapes are happening in the first place, wouldn't all these people, these non-whites that are coming to the country, be like so concerned about following the fucking rules that they wouldn't be raping, so you just, you just killed some random white guy to make a stupid point, you know, so that I mean, that seems just like, what are you even fucking doing? Is it supposed to be funny? And I would, I think, honestly, just like the weird mold obsession during the hooker scene, I think this was just based on some of the past works that this director has done.
01:43:57 I think this was a failed attempt at, like, a joke, you know, kind of like him being like, see, and now he's dead, and it was supposed to be kind of funny there.
01:44:06 I don't know, but again, it's just frustrating because it misses the entire point that the, the only the people that have this disease, that this film, I, in some ways, is at least attempting to inoculate them with or against this disease, is is this rule following, and but that disease is something that only infects white people, and that's that's why there's a problem, that's why there's this power disparity,
01:44:42 that's why there's this violence disparity between the whites and the browns in these countries, because the white people, through after years and years, I mean, this is why we need the death penalty again, after like centuries of being super, super liberal with the death penalty. LT in Europe, killing everybody for basically anything.
01:45:04 You've got, you've whittled it down, you've whittled down the genetics to a bunch of people that are dutiful rule followers, and so that's why they don't stick up for themselves, and they wait for the cops to come in to try to solve the problem for them.
01:45:20 That's why you have to, under that's why you have to do all these other things in this movie that, that it appears you're trying to do, where you're trying to undermine the authority of the people in charge, and try to explain to these people that why you know vigilante justice is one of your only options. Now, it's because they are unique in their rule, following the rest of the world has not undergone that kind of a selection event.
01:45:49 The high trust society is only high trust because the people who made that society until very recently and The reason why, in Japan, as an example, you can, like, I mean, you don't have to buy a bike lock, you can just leave your bike out and it won't get stolen, is because they're habitual rule followers, and when you introduce another population, another race of people that hasn't undergone that kind of selection, they take advantage of it, so that that is just that scene is is not just ridiculous,
01:46:43 it's fucking, it's poison, and in that way I'm not totally so far while watching this right at this point in the movie, I'm not totally against this movie, right, but this is one of those things where it's almost like when you watch like a figure like Tucker Carlson or one of these, these people that like to pay lip service to the white people, and, and the white, you know, white nationalists get all excited because some guy on TV is actually sort of, you know, throwing them a bone, and so let's, let's support him, because he's going to be the savior, but then you, you watch carefully, and what does he do, right?
01:47:26 He leads them almost, almost to the the answer to the problem, and then right before you get to the fact that actually it's it's Jews, or actually it's because we're white and white people are just genetically different, then he goes, "Look over there, you know, and I kind of feel like it's..
01:47:46 it's one of those kinds of things in this movie. It's a moment like that in this movie where they give you this impression, it's.. it's a very universalist statement to make, that's how all people are, when that's not how all people are, that's why there's the problem.
01:48:05 So, anyway, he drives this judge out to a remote area where obviously he's going to kill him or something, and he makes the judge watch what he had said in a press conference, which again I think illustrates somewhat accurately in a way that is somewhat persuasive and relatable to people in the audience, why there's a judge problem, why the legal system can't be trusted, why that even if these people, like even if law enforcement that has failed you and often arrest the white guy, like if you have a white guy being attacked by a black guy, they arrest the white guy, that even if somehow by some freak accident a brown guy ends up in custody, that once he goes before a judge, he's just going to be let loose anyway, and then they're just going to keep killing more white people once they're out on the streets, and so this is very relatable, and it, you know, without being characteristically heavy-handed, I mean, there's there's a slight, slightly there, but it's not, I mean, compared to the kinds of stuff that you normally see from right-leaning artwork, this is reasonably subtle and accurate.
01:49:31 See what you have to say.
01:49:33 This is all I have prepared, and this is all what I'm going to say to me. Our politics fail to integrate teenage migrants into our society.
01:49:44 Also, didn't give them the help to function by our rules and our laws. The gang rape was, in a way, a cry for help and structure. Not only the young girl is the victim, they are also victims.
01:50:00 Because really, believe that not only the victim, also the perpetrators get in trouble
01:50:04 twice. It doesn't help the young girl if they're getting locked up now and getting their normal life for a long time denied.
01:50:12 And these are the kinds of judicial justifications that you hear when you see these people, these rapists get light, or in some instances, no sentences, sentences, because they are these excuses are made, these weird, you know, arguments are made that, oh, it's, it's their gang rape was a cry for help, so again, this is something that I think is relatable.
01:50:42 It's something that is true. It's not too over the top, sadly.
01:50:47 I mean, that is, I don't think a hyperbolic expression of what you, you know, it's in a movie, so everything's a little hyperbolic, but like, I don't think that crosses the line into, like, no, I'm watching propaganda, you know, like this.
01:51:01 This is the kind of a thing that you would see from a European court. Is the acting fantastic? No, but whatever. I'm over it. It's not like porno bad. So he kills the judge, and you know, moves on to the scene that everyone on Twitter has seen. I'm gonna play it.
01:51:28 I know a lot of you guys have seen it, but I'm gonna play it anyway, because I feel like now that you've seen the context the rest of the movie and not just this scene in isolation, when I, which is when I first saw this scene, this scene that was being passed around on Twitter, my impression was, oh, this is going to be the majority of the movie, right? The majority of the movie is going to be he's hunting down migrant rapists, like maybe, for example, like, how come in the very beginning of the movie you've got that black guy stabs that that mom? I never saw, he never goes after that. I
01:52:09 mean, what's what was the point of that scene if he's not going to go kill the black guy? What's with the Mexican hooker? You know, what's with the white kid who's the ring leader of the gang of teens, you know, what's with the, you know, Judge Reinhold, what's with, you know, like, so in isolation this scene is pretty fucking based, dare I say, but when you've got, when you front load it with all this other stuff, when you've been watching it in succession with all these other scenes, it doesn't quite hit as hard.
01:52:57 Hello, Ibrahim. Blessings to you and your family. I was wondering if you could have a quick chat about your son.
01:53:02 Are you journalist?
01:53:03 No, I'm just a citizen here to help.
01:53:06 If you want something, you can go to our lawyer. We don't have nothing to say. Sorry.
01:53:12 Maybe we have just a little chat back.
01:53:23 Oh, good. Youssef
01:53:23 is here.
01:53:40 Go temp to your son, buy something around his leg. I didn't hit an artery, he should be fine. You, you get the cell phones off the table, all of them, pick them up. Move Youssef to the couch, over to the couch, cell phones down on the table.
01:53:59 What do you want on the table?
01:54:01 I want you to have a seat, and we're gonna have a little chat.
01:54:03 What are you doing?
01:54:05 Have a seat, have a seat, sit, 321, Smart man,
01:54:22 not a strong strong, don't worry.
01:54:28 So, I guess you're wondering why I'm here.
01:54:34 Are here because of my son, because of the court.
01:54:38 The
01:54:38 court free him, and is the court from your country,
01:54:42 of course, because your son and his friends had to rape that 14 year old girl, so traumatized from their childhood that they couldn't keep their dicks in their pants.
01:54:57 He's young, he don't know nothing. Think
01:55:02 is that why you did it, Yusuf.
01:55:04 I'm sorry. I'm sorry we did that. We thought she wanted it.
01:55:12 You thought that she wanted you to grab her and pull her into a bush in the quiet part of the park. She wanted you to put your hand over her mouth while your seven friends took turns raping her. She had to crawl out of those bushes on her hands and knees, and now she lives every single day afraid of what you and your friends might do, since you were acquitted. It was very good work by your attorney, by the way, painting them as the victim. What was it? Traumatic integration.
01:55:45 We're really getting mental help now, and support. We will be better in the future, I promise. That's the
01:55:52 right answer. The only problem is that on your social media, since the event, I have not seen any regret or empathy. In fact, I think you said that she deserved to be raped.
01:56:09 What I mean is, did they dress wrong and just make boys horny with their mini skirts? They show their legs and breasts.
01:56:17 You wrote that she deserved
01:56:20 it. I will delete it.
01:56:25 Are these the values you're teaching your children?
01:56:27 I teach him the values from Quran, and these values from our family.
01:56:33 Well, if these are your values that women in America and Europe deserve to be raped because of a dress code. Why did you come here?
01:56:43 You know that we have several wars in our country, and we have a dangerous life. That's why we are here. And I think you know that.
01:56:52 Do you know what I think? I don't think it was the good ones that got out of your country. I think it was the bad ones, and I think you brought with you your archaic value system and your commitment to religion over democracy and over anything else, including the rule of law. Yusef, you're going to pick up your phone, you're going to start calling your friends one by one and telling them to come over here right now, that you have new information for them.
01:57:25 No.
01:57:27 Yes, you will.
01:57:30 And what do you want to do with them?
01:57:32 We're just gonna have a little chat, same as we're having right now.
01:57:36 I will not call them.
01:57:38 No, interesting. 5432.
01:57:46 Go right now. Go on.
01:57:51 Thank you.
01:57:53 Hey Abdul, it's me. You need to come over here right now. We could get charger guy without problem. I'm here with my attorney, and bring your brother Eko Idris. No, right now.
01:58:11 Good job, Yusuf. Now call the next one. I No, sit. You go get the door. No funny business, or I shoot mom. Go,
01:58:37 okay. What's
01:58:44 wrong? What the fuck
01:58:49 happened? What's wrong? I It,
01:59:05 so that's, I mean, that's the long version of the clip that's been played on social media, and I've seen a lot of people say things like, oh, that's just a revenge fantasy, it is, but what's wrong with revenge fantasies? You say it like it's a bad thing. Revenge fantasies have a lot of value.
01:59:40 I mean, and people understand this. This is a well understood thing. Every fantasy has a lot of value. This is why, you know, when people were concerned about, like, oh, violent video games are going to make our kids crazy, or whatever, like that. It's people understand that watching things like this info.
01:59:59 It puts ideas in their heads. It puts ideas in their heads. It lets them live through this experience vicariously, and it gives them a taste of something.
02:00:16 It's also, as I often quote, you know, Abby, Abby Hoffman, saying that a good propagandist doesn't show how the world is, but rather how they would like it to be, and then it manifests if they do a good job. So, what's wrong with a revenge fantasy, unless you're opposed to revenge, and I'm certainly not opposed to revenge. Somehow, revenge has become like a dirty word.
02:01:00 Somehow people think that that's like an uncivilized value, revenge, and all too often I do see it coming from a lot of Christians, and I'll give you a perfect example of this before people freak out because of the research I've done. My algorithm ends up being a lot of true crime stuff. If I've got YouTube on while I'm doing stuff, right, and I just let him play, whatever, you know, because why not.
02:01:38 It's kind of interesting to see the kinds of people like who, well, who, who's getting murdered out there, like, and it's funny because how often it's like people, it's like, yeah, well, I mean, yeah, yeah, you're the kind of person that gets murdered, but also it gives you like a window into the kinds of people that do murdering, and like what the kinds of mistakes that they make when they get arrested, and how stupid it is sometimes, and just, yeah, just, it's interesting to me.
02:02:04 It's more interesting to me than fiction, right? Like, actually saying how well, how this, you know, system actually works, and, and when it works, and when it fails, and that sort of thing.
02:02:18 But one of the things that happens over and over and over again, is it's amazing to me, because it can be the most brutal murder that's just completely uncalled for, that has sometimes, you know, there's just no like serial killer, just type shit, like right, some girl is just filling up her gas tank and gets like raped to death in some field or something like that, and tortured and murdered, and I cannot tell you how often.
02:02:49 It's very frequent. It's very frequent.
02:02:54 We're unprompted, the family of these people who are brutally murdered, you know, the mothers often, when the criminal is finally brought to justice, they finally get their sentence, or whatever, whether it's a cold case or it's not, doesn't matter, and the interview after the verdict comes in, because you know these shows are all very formulaic, they all kind of follow the same thing, and the the interviewer will say, Well, how do you feel now that they've been found guilty and they're gonna spend the rest of their life in prison or whatever, and I can't tell you how often the mother, and if my mother ever said this, I mean, it would just kill, well, I'd be dead already, I guess, but they almost like not all, not always, but I would say almost always some version of, well, I already forgave them, I already forgave them, I It liberated me, forgiving them.
02:04:15 I was so, I was so, so eaten up inside until I could learn to let go and forgive them, and I just can't fucking relate to that nonsense. That's it. That's precisely the kind of thing that we need to get rid of. That's that's precisely the mindset that we need to shake out of the minds of whites. Look, it extends it all over the place. I remember during the the first Trump administration a similar value system.
02:05:00 Uh, or virtue that was being signaled by the people that were coping about the fact that Trump actually wasn't going after Hillary, for example, he actually wasn't going to lock her up, and I heard so many people use that exact same worldview or or value system to say, well, it's it's in the past now, and it's better that he just moves on and tries to make America great again.
02:05:32 We don't need to exact punishment or or or indulge in vengeance on our enemies, that doesn't help anyone. This is just, you know, this way he's extending an olive branch and allowing, you know, we're moving forward as a people. And then you wonder why it just keeps happening to you over and over and over again, you Heads on pikes, man.
02:06:15 People just don't have the stomach for what's necessary anymore, I One of the the reasons why this clash of I don't want to call it clash of civilizations, this clash of subspecies is eviscerating the whites is because the whites are acting like puppy dogs with a bunch of wolves, so having a scene like this, yes, it's a revenge fantasy, but it's giving people little taste.
02:07:11 They're shocked, they think to themselves, "Oh my god, that actually kind of felt good watching that was kind of cathartic. First one's free, so I don't have a problem with that. I don't have a problem with people calling it a revenge fantasy.
02:07:40 I have a problem with people saying, saying that like it's a bad thing, but again, in the context of the rest of the movie, it doesn't hit, it's not as hard, right? He's just kind of like this crime fighter, sort of this Jewish crime fighter who is in many ways motivated by the economic costs of some of these people, so anyway, so that's the big scene at the end, and then you get one last kind of like manifesto style scene where he does contact the investigator who was injured when they stormed his little, you know, metal, his welded-in metal box in his, at his chateau, or whatever, and they killed like a billion cops.
02:08:32 There's a phone call where he calls up to, to explain himself, I guess, to the representative of the ruling class that he has access to, which is this investigator. So, let's hear after, after we've all the killing and the vigilante justice that's gone on this entire movie, what is his stated purpose, and what, what does he want to have done at this point.
02:09:07 Hello,
02:09:09 hello, Chief Henry. I'm very happy you survived, because I have a message for you to take to the government.
02:09:19 What is this message?
02:09:22 It's the same. same message I told you when you tried to storm my bunker, that the people will not accept a takeover.
02:09:35 What you are attempting here cannot be allowed to continue this mayhem, you see, as much as I love Europe and its deep history, you simply cannot continue my officers, and I, we swore to an unbreakable pledge to protect himself and you now. No, I've crossed the line too many times. You're hurting innocent people, including myself. This is unacceptable. I have no choice but to bring you in, and I will.
02:10:17 These people you speak of, they never voted for what's happening. This is an unfriendly takeover by the Islamist extremists and the blindsided woke left, and if this..
02:10:34 I mean, that's a little boomer, that's that, that's that right there is characteristically conservative propaganda right there. It's the, it's the Islamic extremists and the woke left. It's like, ah, all right, all right, but anyway, continue,
02:11:06 and if this takeover is successful, it'll destroy the democracy you say you love, all the freedom, everything you enjoy, and stand for. There's only one option: you end this, or we the people will end it ourselves.
02:11:25 We the people take this orange.
02:11:30 I remind you, my oath, my job is part of the stability of this democracy you speak of, and you overestimate my capabilities of delivering this message.
02:11:51 I don't think so, Chief. After all, you're the only one with the message. Now take it to them. They will listen.
02:12:02 They'd better listen, my democracy, so it gets super boomer right there. Obviously, I mean, what were you expecting? I guess, but again, it's, it's, it's the kosher that is the kosher message right there, that the problem is the Islamic extremists and the woke left has nothing to do with race.
02:12:31 It certainly has nothing to do with Jews. I mean, the Jew is the superhero. The problem is this is what I was saying, like when I was talking about these characters, these pied pipers on the right, that they throw you some bones, right? They almost lead you to the water, they almost take you there, but they're like, 'Hey, look over there, look, the woke left, the woke left is coming, better watch out, the woke left, so the woke left, and Islamic extremists. Oh God, we gotta, we gotta stop them, and it's just like, oh, for fuck's sake, oh for fuck's sake.
02:13:15 And when do they, when does the audience hear this immediately after the most emotionally intense scene of the entire movie, that one, that scene we just watched. So, after you're caught up in this revenge fantasy, which I said I have no problem with now, as your mind is kind of considering, like, wow, what, what would it be like to do that? What, maybe we should, maybe people should be doing that, maybe that, maybe that is the solution to our problem.
02:13:44 What is the problem, though? The woke left, it's the woke left and the Islamic extremists, so you know, boomer bait, right there, totally, you know, veering, veering the car into the side wall, then you get another news report that's in this fantasy world, you know, has has no leftist bias to it.
02:14:13 All individuals implicated in the recent gang rape case who avoided prison sentences are now dead, including the entire family of Yusuf El Shira, who resided there, it appears the vigilante citizen has struck again. This raises pressing questions.
02:14:30 What possesses the greater threat to society, the criminals committing these heinous acts or the vigilante who is eliminating them? According to Europe's criminal statistics: over 105,000 violent crimes were attributed to migrants last year, including 980 murders, and over 18,000 reported cases of sexual assault involving immigrants from Africa. What does this mean for our legal system? Is this vigilante.
02:15:00 Only stepping in because our system has failed to ensure safety and justice for the public,
02:15:05 is it? Is that why, like, the media would ever talk like that? So it's just like, okay, okay, you know, you're doing, you're doing kind of like, at this point, that is like Daily Wire style hits you over the head with it, but in a weird way, like I said, total missed opportunity to show the role the media plays, which apparently is nothing, apparently no role, and they, the very, very end, he gives the last bit of his manifesto.
02:15:37 I'm here to help you take that control back, I'm here to show you that you are no longer the victims. I'm here to show you that it's time to go out and show these fuckers that they aren't getting away with it anymore. Remember, I do this for you
02:16:02 until you learn to do it for yourself,
02:16:10 so that's how it ends. This film is dedicated to the 1000s of rape and murder victims in Europe who were betrayed by our legal system. It's not a bad way to end, and that's so, that's the movie.
02:16:26 So, what do I think about it before we look into the people responsible for the movie, and that sort of a thing, just from a, from a propaganda standpoint, is it a net positive or is it a net negative?
02:16:54 My honest opinion is, despite all the negatives, and there are plenty because of the revenge fantasy aspect of it, I think that that's a, it's a net positive, I think, just simply that having that scene in there, in the universe out there tickling the brains of white people that need to grow up here makes up for the huge and possibly intentional shortcomings I think that having just that clip really circulating around is a, is a positive thing.
02:17:53 I'm a big believer in revenge fantasies.
02:17:56 Lots of people, in fact, said that, you know, Day of the Rope was shit because it was revenge fantasy, and in some ways it is, you know, but there's a reason why you need to talk about certain things using fiction, and that's because, despite the free speech that, to some degree, we still have in the United States, there are some things you can't talk about in certain contexts, but in the context of fiction, you can talk about virtually anything.
02:18:34 So, when you want to talk about certain ideas, sometimes it has to be through fiction. fiction, now that said, the filmmakers are most certainly not based.
02:18:54 The filmmakers most certainly are not based. The filmmaker himself, you bull made a movie called Auschwitz, which was basically just torture porn that was blaming Germans for all the atrocities of the Holocaust, for like two hours straight. If you also look at his, his IMDB, one of the things I noticed was he made a movie called, let's see here, he Where'd it go? Rampage.
02:19:53 I actually saw Rampage many years ago when it was new. Let's see, when did it come out? Two. 1009 because a friend of mine said there's this guy that made kind of like a pointless movie where there's just a guy going around just killing everybody on a rampage, and I don't know what message it's trying to send, it's just like it just seems like it's violence for the sake of violence, and I remember watching it.
02:20:21 I didn't have time to watch it again. I remember watching it, and thinking, no, that's that's that's exactly what it is. It's a movie that's that's violence for the sake of violence, and if you look at some of his other movies, that is kind of what it is. He doesn't seem like he's ideological, so much as he enjoys making bloody, shocky movies.
02:20:49 In fact, you know, even his Auschwitz movie, to some extent, I think he did it because I'm pretty sure they do reenactments of, like, stupid, you know, like fake torture porn type stuff, like then the Nazis pulled all their teeth out, and you know they show it like a scene of it or something like that, and you know other movies like you know Zombie Massacre, you know, I'm just looking at the names of some of these things, you know, the Profane exhibit, like I don't even know what that is, but I mean, you know what I mean.
02:21:22 Rampage to the capital punishment, anger of the dead, zombie massacre to Reich of the dead. So I'm assuming that's it's literal zombie Nazis at this point. Yeah, no, it's it's zombie Nazis. I just clicked on it, so it's like I think he just likes making controversial hyper violent stuff, but Who knows? Who knows if it's deeper than that?
02:21:59 The fact that he obviously has done a movie about Auschwitz, that he's done zombie Nazi movies, and the fact that the movie is is distributed by a company that's owned by two Jews, you know that that's not for nothing, like that's not something that you don't pay attention to when you see that sort of a thing, not only that, but the actor Armie Hammer, who was born Armand Douglas Hammer, his great grandfather was Armand Hammer, the guy who started the Communist Party in the United States, and who was involved with the Communist Jews, he would look, he was an Eastern European Jew who came to America,
02:22:55 I think, around the turn of the century, so you've got the, the lead actor who has his own controversies, who is the great grandson of Armand Hammer, like powerhouse communist from the 1920s who worked with Lenin and other communist Jews, you know what I mean, like it's that you don't just ignore that, you don't just ignore that, that's that's real, you don't ignore the fact that they put the the Jewish tattoo either, either that's that's a I don't know,
02:23:42 I don't think that's a tattoo that Army Hammer has now, but even if it is, you know, you would put makeup over it, unless you wanted that to be in the movie, so you don't ignore the fact that there's a, a giant Hebrew tattoo on on the the main character, you don't ignore the fact that he's a, a slum lord, he's literally a Jewish slumlord who has no problem renting out to migrants, just so long as they pay full price, that the problem that he has has nothing to do with race whatsoever, that the problem that he has is the assimilation into our democracies,
02:24:22 the actual all the exact same things that the Boomers have been, that it's the same framing, it's the same framing that Boomers have been using for their opposition, their ineffectual and failed opposition to mass migration all throughout the West, because if all, if the only difference, if it's an economic issue, well, then that's easy to fix, or at least on paper we can make it look like it's going to be economic, if that's all you have to do in order to justify white genocide is make it look profit.
02:24:59 Bull, you're gonna get genocided, you're gonna get genocided, you're so this this movie has a lot of bad and the only reason why I think that the bad is is outweighed by some of the good, although I think it's a tight race, is that I think that a lot of the people that are going to connect with this movie in any kind of meaningful way already believe that stupid bad stuff, you know.
02:25:50 So, I don't think it's going to, like, brain.. I don't, in other words, I don't think there's going to be any race realist that's going to watch this movie and they're going to stop believing in race, and think that, well, actually, it's all about economics and culture. Like, I don't, I don't think that's going to happen. I don't think that part of the bad is very persuasive to anyone. I think that the only people that are going to nod their head in agreement with that are people where that's just their default position anyway.
02:26:20 So, I don't, I don't think that that's all that bad, considering the vigil, vigilante side of things, of the messaging and the undermining of the legitimacy of of the ruling class, I'm willing to accept the bad with with the good in this instance, all the while being mindful of the fact that the the director is not a right wing guy, he's not a right wing guy at all.
02:26:58 He is very close to Jews. I don't think he's Jewish himself, but he certainly does a lot of work with Jews and on Jewish topics, as far as the, the, you know, the distribution company.
02:27:19 I don't know, I thought one thing that I thought was a little bit weird was that it, that Elon Musk. I wonder if there was some kind of financial agreement that was behind closed doors there, where he could just tweet out their whole movie, because it's kind of like, well, how are you going to make money now? You know, that's how I watched it.
02:27:36 I watched it for free, because it was on Twitter, you know. So, I mean, I, yeah, anyway, that's a little bit weird too, that the richest man in the world is tweeting it out, and it kind of goes along with his kosher servative view of the migrant crisis in Europe, where it is about economics, and it's about culture, and it's about everything but race, and it's caused by everything but Jews.
02:28:11 So, as far as movie quality goes, I would say it is kind of a shit movie. I mean, like, if you, if you stripped away the revenge fantasy stuff, it would be a shit movie. You wouldn't really know much about this guy, what motivates him. I mean, there's like the, you know, the very literal things that he says in his manifesto stuff, but you know, you don't really know much about this guy.
02:28:44 There's no story arc, there's no, like, you know, resolution at the end. There's, you know, it's not like it's, it's not a very well-crafted movie. That said, because the bar is so low when it comes to anything right leaning at all, and movies, it's far, far better than probably anything I've ever seen that is supposed to be right wing propaganda. I mean, it was, it was decently shot.
02:29:23 it was competently edited, and you know the production value is competent, especially for like a lower budget movie. The acting is bad at times, but it's not distractingly bad, which is often the often the case with conservative movies, the acting is non-stop porno acting, it's porno without the titties, so it's just painful to fucking watch, and with this, the acting is again, it's not like the best acting.
02:29:59 Thing, but the bar is so low. I mean, it's way better. It's way better. Unfortunately, you know, I feel like this is the kind of stuff that'll be made until we can find, you know, patrons of the arts that are, that are race-pilled, but here's the other positive you can look at.
02:30:26 Here's a silver lining, too, is this taboo. This, and this is another reason why movies are powerful. The taboo of having a scene like that, because this is what Jews did with their movies, they broke taboos, break taboos, break taboos, and tell society till nothing is sacred, right. Well, now apparently having a movie where a guy guns down an entire Muslim family because their son was a rapist, that's been done now. And so, what usually happens when taboos are broken? Well, the next you have to escalate, right? That's usually how, because it's not edgy.
02:31:08 Because now this has been done, so now the next filmmaker that wants to make the edgy hardcore movie, he's got to, he's got to go further, he's got to take it a step further, maybe that step further is the race aspect of things. Who knows? I don't know, but that's if you look at the history of Hollywood movies subverting American culture, that was the track that they took. That's what you saw.
02:31:38 It was a systematic, slow, steady erosion of the societal fabric, and it didn't happen with the first movie that came out, or the second, or the third, or the first 100 but as each taboo was broken, you gotta remember, like in the 1950s you couldn't show, even if they were husband and wife, and they were both wearing head to toe pajamas, you couldn't show a man and a woman in a bed together.
02:32:10 That's why, if you ever watch the Dick Van Dyke show, when they have the scenes in the bedroom, and by the way, this was considered edgy at the time, they're both in bed, but they're in separate twin beds, right next to each other, because that's how they snuck it in.
02:32:27 That was the first iteration. Well, we're not.. they're not.. they're not in bed together, they're in two different beds that are like three feet apart, so there's no hanky panky, and but the whole bedroom, which used to be like you didn't even go in the bedroom with a man and a woman, especially on TV, but now that taboo was broken.
02:32:51 And then they moved on to, well, now they're in bed together, but they're wearing full pajamas, and they have like a pillow in between them, or maybe a kid between them, or something like that, that make sure that you know, there's no sex happening, and then there's full on like sex scenes now, and even on TV shows, so that if you look at it that way, that's that's the way I, that's the way I evaluate it, because I try to, I try to think of it another way, I try to think of it as like, okay, let's say I'm some subversive Jew, what's my, what's my goal here then?
02:33:34 All right, with this movie, like, what's, what's the message that this movie snuck in that did more harm than good. There's really, because the movie doesn't have a whole lot of depth to it.
02:33:49 There really isn't one. I mean, there's all that stuff we already talked about, that again, that's not new stuff, and it's not persuasive stuff. So I don't really see that as if it was if it was meant as some big subversive thing, they, they kind of failed. The only people I hear making a coherent argument against it is again the revenge fantasy. Oh, it's motivating people to go out and commit violence, or whatever.
02:34:26 Well, yeah, so what if it is, you know? You know, just, just keep, keep grocery store, just keep grocery store in mind, those you know know, and then the other people say, well, it's a Jewish distribution company, also, and you're right, it is, and there's Jews making money off this, um.
02:34:59 Yeah, but that doesn't alter the contents of the movie, you know what I mean, like, so in terms of what you know what actual impact this will have on the zeitgeist, I think it's a net positive, it's a close, it's a close race, because it is so infuriating that the, you know they're missing the point on so many things, it's just that the the revenge fantasy stuff is so over the top in terms of like kicking an Overton window in any kind of direction, I think it makes up for the fact that it's it's pretty cocked in that you know the whole woke right we the people, Islamic extremists.
02:35:44 It's like, all right, like, who fucking wrote this? Ben Shapiro.
02:35:48 So, anyway, I know there was a lot of people wondering what I thought about this, and I just want.. that's my honest assessment. I don't think it's.. it's, you know, I don't think it's the best thing, and I'm not excited about that. I'm not excited that it was made, but I don't think you know, I don't think there's gonna be like any negative effects. I think it's, I think it's more positive.
02:36:16 So, anyway, all right, let's get Auschwitz out the screen, right? Should we do there like a.. how about that? That's pretty basic. And look, by the way, the fact that it's a Jewish character will be, here's the thing, is there's, there's, you have to think about what is that element in there.
02:36:55 Yes, is it important? Yes, are most audience members going to pick up on that? Not really, not really, they're not most, most audience members are going to see this as like a white guy killing Muslims, that's how they're going to see it.
02:37:12 So, that matters too. So, it matters that he is a Jew, he's obviously a Jew in the movie, but he's, he's obviously a Jew for those like people like us that know that, no, you know what I mean, but the average normie that sees this, he's just some white guy. Anyway, let's take a look over at Odyssey.
02:37:33 Oh, which crashed on me, apparently, while I was gone. Let's see, I know the viewership and Odyssey dwindling quickly as people go over to Trumbull, but of course we have, we have some of our old school people there, including Love and Division, Love and Division always faithfully over on Odyssey, light power, light power, light power, light fucking power, light power, light power, light fucking power, light power, you All right, love and division says with a double dono. I'm doubling my dono because I had to catch Outlaws on replay.
02:38:39 You and Rebecca did a great job.
02:38:41 Another thing with the British, they have been owned by Rothschild since 1798 Was British imperialism really Jewish exploitation? 20,000 British gave their lives stealing gold mines for the Jews in South Africa. Well, that's a whole, that's a whole can of worms.
02:39:03 The Rothschilds, yes, set up shop in England a long time ago, and have enjoyed many fruits, many fruits as a result. In fact, Israel exists because of that arrangement, but thank you very much. Love and a vision, and love and division also says to have an excellent analysis, as usual.
02:39:27 By the way, if the vigilante was concerned with about weaponized immigration, there would have been a scene where he neutralizes Barbara Spector. Well, exactly, that's things they don't talk about what actually caused this. In fact, the movie doesn't really seem to be arguing that there's fundamentally any problem with the immigration at all. I mean, there's certainly not like a racial problem, and that's where the movie does exactly what I said, you know, people like Tucker do, where they.
02:39:59 Point out the problem, and they start walking down the road towards the least, the the source, but then take a left turn, right before they get to it, and start yelling about the woke right, or not woke right, I guess, the woke left, and the Islamic, Islam, oh fascism, or whatever, right. So, yeah, yeah, I mean, there's plenty of bad, there's plenty of bad, and they would never, in a million years, have a film with that.
02:40:32 Well, I mean, right now, here's the thing, is now now that this taboo has been, I guess market tested, you know, having a scene like that was market tested. Maybe that's the next step, maybe that's the next script someone needs to write. All right. Well, thank you very much. Love and division.
02:40:58 All right, now we're gonna go over to the Rumble, we got Rivers of Blood, says Director You Bull recently did an.. did an interview with Jared Taylor, of all people. He gave insight into why he made the film, along with comments on modern films. They don't mention Jews, but worth a listen.
02:41:20 Oh, that's interesting. Wasn't aware of that. I'll have to check that out. The only quote that I saw from him when I was just briefly, briefly, you know, searching some stuff that he had done was he said that he wasn't, he wasn't really a right winger, but he hated what was happening to Europe, and so you know, I guess I'll have to see what else he has to say. We got Revolver, says assuming this is about Citizen Vigilante.
02:41:53 The movie was kind of weird. Main character picking it on a white prostitute was odd. She didn't pass the nipple test. Ending was good, though. Yeah, now that, like, I said, that scene was bizarre to me. It just seemed like a gratuitous sex scene with no point, and the fact that he had a non-white chick was even weirder, especially if she is like Mexican, because I'm pretty sure they shot the movie in, like, Poland and Germany, so it's like that they had, like, flyer in, you know, for that scene.
02:42:25 There was.. it's not like there was a shortage of actual prostitutes out there that they could have cast, right? So, I don't know.. I don't know what you know what to tell you with that, other than I think that it's. it is subversive poison. It's showing that, like, race doesn't see, he'll fuck a brown girl, he doesn't care about race, that's really what it is, to like, that's that's all I can think of, because it is pretty obvious, it's also weird that this guy, like I said, he doesn't care about renting out to a pimp, because what matters to him is the economic bottom line.
02:43:05 It doesn't matter to him that the, the what's happening in his, in his property is, is sex trafficking, or you know, prostitution, or whatever. He just wants to make sure that they don't have mold on the ceiling, so not based, you know, absolutely not based revolver. Then says if a girl has a tongue ring, she'll probably suck your dick. If a guy has a tongue ring, I'll probably suck your dick. Chris Rock, that's a reference to me. I let out out of the bag.
02:43:39 First of all, that's probably true of niggers, Chris Rock, the nigger, said that, but yes, I let the cat out of the bag when it's time about a story of the 90s, I briefly had a tongue piercing, and no, I was not because I was sucking dick, it's because it was cool in the 90s for like a minute, and I fell for it, did a lot, a lot of stupid things, but never anything gay. All right, we got gorilla hands.
02:44:07 Whether or not this movie is based is not really the point. This movie is most likely a safety valve for all of our rage, fatigue at the current state of the world. Do not let this pacify us. I would look. Here's the thing, people have said that too, that I have an opposite read when it comes to movies.
02:44:32 Movies, as I said, they're not when they're propaganda, and this movie is, they're not depicting reality, they're depicting what they want reality to be like, it would almost be like saying you watch a leftist move in the 1990s that's pro abortion and pro gay marriage and pro all this other stuff, and saying that's a leftist safety valve, it's not, that was that was them breaking taboos about abortion and about.
02:44:59 Uh, gay marriage, and you know, all the things that they were breaking taboos about in their movies, that wasn't relieving the pressure that was coming from the left to continue to break taboos. So, when it comes to movies, I don't think people are watching the revenge fantasy, and then they're like, oh, that felt good. I don't know. I don't have to do anything. That's rarely the case.
02:45:25 That's that's it's planting a seed, it's putting an idea in your head, it's letting you watch something, it's desensitizing you to a taboo. So I don't think that when it comes to movies you have to worry about pressure valves, because unless well, for the most part, people, I mean, it's, it's a movie, you know, in other words, it's not, it's there's a difference between watching a movie where this kind of thing is going on, and then, like, listening to a politician, you know, larping about how they're gonna, we're gonna, we're gonna shut down the board, I want to do all this, but not actually do it.
02:46:02 You know what I mean, because there's the expectation when you have a politician say all these base things that they're going to do.
02:46:12 There's an expectation that it's going to get done, you know, that you're going to trust the plan, because they're, they're going to, they're going to be, that's their job, right? They're going to be doing the thing they said they're going to do, and so there's no expectation like that with a movie, right? There's no expectation like no one's watching this movie and thinking that this guy exists and that he's doing this, so we don't have to actually do anything now, because the citizens, the citizen vigilante is gonna come, you know, I mean, like, I just don't, I don't think that's the way, that's that's the kind of impact that a movie like this has, but, but you're right, I mean, it's not based right, there's plenty wrong with it.
02:46:56 Let's hear Tom O'Hawk says, gonna cast the replay, thanks for all you do, tell Tro I said hi. Well, I'm actually surprised he hasn't popped back in. He's usually he usually when I start streaming, because he hears my voice. I mean, he was in earlier today, but that's usually when he comes in and disrupts.
02:47:14 He'll probably do it now. Then we got Gorilla Hand says, is the war going to start back up again. Gas prices are finally going down. The war with Iran.. I don't know, I don't think so, but I don't know, I don't know. I'd have to.. I haven't, honestly. I'm a little.. I'm a couple days behind on that, so I'd have to look into it further, but I suspect that you know it was never going to be World War Three.
02:47:49 You know, the people wringing their hands about World War Three, these fuckers care about the bottom line, and they don't care about race, they don't care about nation, they don't care about ethnicity, they care about money, and they're not going to go into a world fucking war, which is going to impact their bottom line tremendously.
02:48:09 Now, the Israelis, that's a different story, right there. Yeah, they're all religiously motivated, and the Christian Zionists, and there's plenty of them in the administration, right, they might be motivated to do some kind of like World War Three type shit, but I think ultimately the people in charge have demonstrated that they care more about the bottom line. Let's see here. Then we got Rupert says replay, gang.
02:48:41 Here I was going to watch this movie, but your stream will be better than the Jewish propaganda movie. See you next week, Professor Steg. Well, appreciate that. And yeah, it's free. I mean, look, it's.. it's not a great movie. It's really not. The action scenes are kind of silly. Other than that, one of the ends, all right. You know, the one that we, that I played there, that one's all right.
02:49:05 The one where he's like gunning down the SWAT team people, it's a little, it's a little, it's almost getting into like zombie, like you know, bad zombie movie, ridiculous. Like people, like people's heads are literally exploding, and shit like that, like it's kind of, it's kind of, it's kind of silly.
02:49:25 All right, then we got Mig Mate, maybe William William Pierce said in his interview with Art Bell that a colleague told him nonfiction and stats don't change minds, that he needed to write exciting fiction to make any difference with the media.
02:49:47 No, and that's the thing, is fiction, yeah, that's the, that's why the left have been so successful, and why the right, you know, they get frustrated because they pull out like all these fucking charts, and they're like, but.
02:49:59 Look, 13 does 50, and that doesn't hit anybody, but you make this movie about like some black guy that just like you could be based on true story. I mean, just pick a story out of the fucking news, just do like an actual story of like whatever black murderer did, whatever horrific thing that week, and make a movie out of it, and that will change a lot of minds, because unfortunately that's just how people operate.
02:50:26 They don't think rationally, but if you can get them to think emotionally, then you get them. Words are words, says best stream on the internet. Well, I appreciate that. The great, the great Wahita. the great great the great Wahite says this movie is kind of reminding me of Boon Doc Saints, especially with the organized crime element being Russian or whatever, it's gay and subversive.
02:51:11 Yeah, I wish they.. I mean, there was so.. but, like I said, I think the director, that's he's just not a very competent writer, is part. that's a big part of it, at least, but I wish there would have been more depth, like the whole that beginning scene where it's just like, oh, it's some mafia guys or something, and like that's it, and then they, then they're dead, like, oh, okay, I guess they're dead now, I'll never know what the, what the why they had to die, all right.
02:51:43 Then we got, but thank you very much. The great Wahita. Then we got Eris 1010 10, says true story. In 2020 I searched the term day of the rope out of a sense of, well, it should be a slogan at this point, and that's how I discovered the Insomnia stream. Cheers, Devon. Well, I appreciate that. Yeah, and like I said, part two is is what I might have to do. It's, it's very, it's, it's very close. I meant, in fact, it's very, very, very, very close.
02:52:20 In fact, it's kind of annoying, because, like, now it's because it'll probably come out fairly soon, and then there's some things they're going to kind of be like, what's in this, like, there's a judge problem, just like some of the ways that they describe in this movie are some of the themes in book two, but obviously in a much better race-based JQ context, and there's a lot more to it than just that, but as I watched the movie, I was kind of like fucker, but anyway, let's see.
02:52:59 Thank you very much, errors. 1010, 1010, Now we got Dagtastic.
02:53:02 Says groceries, my buttons are unhooked. I'm not hooked up right now. My, my desk is a little disassembled right now. I could probably.. well, we'll do it maybe next time. Dagtastic, I don't feel like sifting through my big long OBS source window rock, oh, d2 says meet. Yeah, I should have a dirt meat button. I don't know if that's what you meant, but I should have a dirt meat button.
02:53:31 Minnesotan says my father was a two-time Obama supporter and socialist. I gradually red-pilled him over the years, and now he's a full-fledged white supremacist, or primicist, I think. Yep, ready for a TKD, not TND. Never give up on family.
02:53:50 Yeah, I think that you have the most sway with family members, and everyone should be like, I understand if you don't want to be spurking out of the office, especially if, if you're, you've got a family to support and stuff like that. I get it.
02:54:11 I think you should work at a place where you can speak openly, and you shouldn't be working for people that are, are well, I mean, that are enemies, but I at least kind of get it. But when it comes to family, you do need to be honest with them. You need to be honest with them, and you can't be hiding your power level. Let's see here.
02:54:39 Then we got, like, my parents, for example, I told them it wasn't like super comfortable either. I knew my mom, especially, would have issues with the race stuff, but, and yeah, I get her slightly race pilled, slightly, and then she. Always reverts back to default settings after a while. All right, then we got anti-democracy. Nada says the seething rightoids who defend this Jew movie are kike enablers.
02:55:12 Armie Hammer is literally everything wrong with Jews. His character is literally a landlord who owns a brothel and is a, and is mad at Muslims because of anti-Semitism, not because they are raping whites, and these are same rightoids will also defend landlords and their rent-seeking behavior, and call it based. Now, I agree to some extent, like I said, like I would not be a cheerleader for this movie.
02:55:41 I think that it's an.. it's overall.. it clocks in better than it.. it's more good than bad. While I 100% agree with your assessment that he is.. he's literally a scummy..
02:55:55 he's a slum lord, he's a Jewish slumlord that fucks Mexican prostitutes that he's renting to, and yeah, is I mean, according to his speech at the end, he's not killing them because of anti-Semitism, but he does throw in, like, the democracy thing, and you know, yeah, I mean, I get it, my, my, like I said, though, my take is it's like, yeah, all those things considered, having a movie that is meming what is being memed is a net positive.
02:56:33 Rocco d2 says couple goldfish for the Churro Fund on a hot day. Well, I appreciate that, Rock Ody. Two Purple Cat meant I Mark Purple Cat Mint says thanks, Devon. Well, I appreciate that. Then we got Astrolis 725 725 Neverland Mosquitoes,
02:57:29 my fucking power, I
02:57:44 All right, Astrala says, thanks for the deconstruction, or deconstructing, Devon. I'll catch the rest of the replay, gang. Well, I appreciate that, and yeah, thank you.
02:58:00 Thank you for the thank you for the dono, as per usual. Then we got Paulo Eagleton, says the main character is a degenerate slum lord who fucks brown hookers and kills random innocent drivers. It's not like he's a noble vigilante seeking justice for crimes against the white race. No, exactly, exactly, and like I said, his problems with it seem to be economic in nature, and in fact the movie never brings up race, never, like not even once. Then we got Rivers of Blood says idea, use AI to modify the film, which makes it more racially explicit and names the Jew. Release it as a director's cut to unsuspecting normies. You know that's the kind of thing that I think would be fun to do with all kinds of movies.
02:58:58 I mean, think of all the different movies that here's the issue, is going to be AI is pretty good, but it's not there yet, and, or at least not in an affordable way.
02:59:12 I mean, it's kind of there if you had access to the newest tools, because you'd have the issue would be, you'd have to be able to clone their voice and get that to work up in a way that would not be noticeably different from the actual scenes. Eventually, you could even just redo the entire movie, right? Like, you could make, for example, the scene where he's gunning down all the cops, and it's like kind of over the top, and cheesy, you could make it actually kind of cool, and you could change, you know, like all the dialog out, so it's not there's none of these like kind of cheesy cliche, you know, phrases that are thrown in throughout, you know, I think that's that'll be the future.
03:00:00 I think we will have movies produced in apartments, you know, people sitting at their desk in their apartment will make an entire feature film that is, but way better than this, and that's coming soon. It just, not, it's not there yet. It's, we're getting there. I never would have thought we'd get there as quickly as we've gotten there, but we're getting there. Rocco d2 says, 'Thank you. Well, I appreciate that.
03:00:30 All right, then we got Splinter Tray says, 'Have you noticed the Jews going after Christianity through a different angle with pagans? Um no, I mean, I don't, I don't look, I don't pay attention to, like, the, the pagan Christian drama on the internet, because I don't think it's, it's, it's a very, it's a very segregated, it's not a significant population, it's just not, it's a bunch of people who are, are both probably fringe arguing over their, their religious ideas in ways that aren't really making it out to the broader public, you know, like, like it's just like internet feuds.
03:01:28 It's just an internet feud that's meaningless, and so I don't know what, like, the specifically what you're talking about, but I don't think Jews are like, "We're gonna use the pagans to go after Christianity, I don't think that's.. I don't think that's what I don't think that's happening.
03:01:47 I mean, look, you never know, maybe there's a Jew doing that, because you never know what Jews, but I don't think that's like a thing, you know? I don't think that's like then we'll get the pagans and destroy Christianity with the pagans, if they're actual, if they're religious Jews, they hate pagans, you know. Religious Jews hate pagans, they think they're idol worshipers, and you know, so I don't think that that's it's not a problem I'm worried about. Splitter trace, and I suspect that you have found yourself in an echo chamber of some sort, because I don't think that's like a big, it's like a big thing that's going on right now.
03:02:29 I'm sure it is on the, I'm sure there's like X spaces and threads and things like that going on, but I don't think if you go down to the local bar, you're gonna, you're gonna see like brawls between pagans and Christian guys, so you know, I just.. I just don't think it's like a big deal. Yeah, I mean, how many pagans are there actually really in real life? You know what I mean?
03:02:55 Like, I know they exist, but to the extent, to the extent that they actually exist, that they're practicing, and you know what I mean, that there's not like a big, there's not like a pagan Vatican, you know what I mean, and so it's that I don't know, that's the way I see it. All right, then we got X Field Marshall, just simply think that's a wavy emoji, hard to see, it's all small on Rumble.
03:03:23 Looks like a wavy emotional emoji. All right, I think that is it. I need to get power chat working again. Need to get the power chat working, so I'm not working for Nichols. All the entropy money is gone. Alright, guys. Anyway, thank you very much for hanging out with me this Saturday night.
03:03:56 We will be back on this Rumble channel and on YouTube on Wednesday at 5o'clock pm with Rebecca Hargraves for another episode, exciting episode of Outlaws, and then of course we'll be back here on Saturday for another exciting episode of the Insomnia stream, but in the meantime, you guys enjoy the rest of your weekend. Thanks for hanging out. For Black Pilled, I am, of course, Devon Stack.
03:04:38 Now, the company created an artificial intelligence chat bot, it was a computer that they named Tay, who was designed to respond to questions and conversations on Twitter with the personality of a teenage girl. So, you can see there, she started a bad
03:04:50 idea right there. It doesn't sound
03:04:52 great, does it? Now, she started out tweeting about how humans are super, and she's really into the idea of national puppy.
03:05:00 Day now the idea behind Tay was that her output was modeled on what was happening on Twitter, the responses that she gets from humans, and within a few hours you can see she took on a rather offensive racist tone, a lot of messages about genocide and the Holocaust, you Needless to say, Microsoft has now taken Tay offline after less than 24 hours.
03:05:29 They said that they would be making some adjustments to her and to how she engages with with real humans. I think that's a good idea, Microsoft,